Female voices from an Ewe dance-drumming community in Ghana :our music has become a divine spirit

• 作者: Burns, James
• 出版: Farnham, England ;Burlington, VT : Ashgate c2009.
• 稽核項: xvii, 215 p. :ill., maps, music ;25 cm. + 1 DVD (sd., col. ; 4 3/4 in.)
• 叢書名: SOAS musicology series
• 標題: Dance Social aspects -- Ghana -- Dzodze. , Ghana. , Dzigbordi Habobo. , Volksmusik. , Social aspects , Schlagzeugmusik. , Women musicians , Music Social aspects -- Ghana -- Dzodze. , Ewe (African people) , Schlagzeugerin. , Ewe. , Dance , Ewe (African people) Music -- History and criticism. , Music , Musikgruppe. , Women musicians Ghana -- Dzodze. , Volkstanz. , MusicHistory and criticism.
• ISBN: 0754664953 , 9780754664956
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• 附註: Accompanying DVD offers a glimpse into the lives of five women performers from the Dzigbordi community dance-drumming troupe of Dzodze, Ghana. Includes bibliographical references (p. [205]-212) and index. Daughters of the drum : the social environment of female artists in Dzodze -- The dance space : music associations, territories and events -- We are a communinty dance-drumming group : the Dzigbordi Habobo of Dzodze -- Doing it for everyone to see : the oral artistry of Dzigbordi in performance. Contents of accompanying DVD: Christian dance music -- Dzodze -- Female life in Dzodze -- Music associations in Dzodze -- The song and drum leaders -- Dancing in Dzigbordi -- The Dzigbordi Haborbor -- Atsi~a solo dance styles -- The Atsi~a dance style of Dasi Amedahe -- The Atsi~a dance style of Esther Amegble -- The Atsi~a dance style of Dzatsugbi Agoha -- The Atsi~a dance style of Sylvia Segla -- The Atsi~a dance style of Xornam Tagborlo -- The future of Dzigbordi. 公播版
• 摘要: A detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures.
• 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip0826/2008036308.html
• 系統號: 005046531
• 資料類型: 圖書
• 讀者標籤: 需登入
• 引用網址: 複製連結
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