資料來源: Google Book
"Primitivism" in 20th century art :affinity of the tribal and the modern
- 其他作者: Rubin, William Stanley. , Museum of Modern Art (New York, N.Y.) , Detroit Institute of Arts. , Dallas Museum of Art.
- 出版: New York :Boston : Museum of Modern Art ;Distributed by New York Graphic Society Books c1984.
- 稽核項: 2 v. (xv, 689 p.) :ill. (some col.) ;32 cm.
- 標題: Art, Modern , Art, Modern 20th century. , Primitivism in art.
- ISBN: 0870705342 , 9780870705342
- 附註: "Published in conjunction with an exhibition of the same title shown at the following museums: The Museum of Modern Art, New York, Detroit Institute of Arts, Dallas Museum of Art"--T.p. verso. c.3為旅美舞蹈家王仁璐教授2010年捐贈. Bibliography: v. 1, p. 334-340.
- 系統號: 005047016
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Succeeding background chapters by historians of primitive art trace the arrival and dissemination of African, Oceanic, American Indian, and Eskimo art in the West. In 1906 tribal sculpture was "discovered" by twentieth century artists; these objects had suddenly become relevant because of the changes in the nature of modern art itself. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual -inspired performances. More than a thousand illustrations juxtapose on the pages of these volumes specific Primitive works with those of modernist masters, exploring their underlying affinities and illuminating intricate problems of influence and rapport.
來源: Google Book
來源: Google Book
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