資料來源: Google Book

Dewey and Elvis :the life and times of a rock 'n' roll deejay

  • 作者: Cantor, Louis.
  • 出版: Urbana, Ill. : University of Illinois Press c2005.
  • 稽核項: x, 287 p. :ill. ;24 cm.
  • 叢書名: Music in American life
  • 標題: Culture populaire Etats-Unis. , Disc jockeys , Rock 'n' Roll. , Disc-jockeys , Phillips, Dewey Biographies. , Phillips, Dewey Biography. , Disc jockeys Tennessee -- Memphis -- Biography. , Rock music Tennessee -- Memphis -- History and criticism. , Presley, Elvis. , Phillips, Dewey , Diskjockey. , History and criticism. , Rock (Musique) , Popular culture , Rock music , Rock (Musique) Tennessee -- Memphis -- Histoire et critique. , Histoire et critique. , Popular culture United States. , Presley, Elvis, , Phillips, Dewey. , Culture populaire , Memphis <Tenn.> , Presley, Elvis, 1935-1977. , Disc-jockeys Etats-Unis -- Biographies.
  • ISBN: 0252077326 , 9780252077326
  • 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. [265]-276) and index. Programmed chaos : Dewey Phillips on the air -- Before the storm : Dewey arrives at the five-and-dime -- The white brother on Beale Street -- The new Memphis sound : the birth of black programming -- "What in the world is that?" Is this guy black or white? -- Racial cross-pollination : black and white together -- The great convergence : pop tunes' one-stop -- The Phillips boys : soul (better than blood) brothers -- "Red, Hot, and Blue" : the hottest cotton-pickin' thang in the country -- Dewey and Elvis : the synthesized sound -- Dewey introduces Elvis to the world -- The king and his court jester : men-children in the promised land -- "Red hot at first-- blue at the very end" -- The final descent : "If Dewey couldn't be number one, he didn't wanna be." -- "Goodbye, good people" -- The legacy : the next generation and beyond.
  • 摘要: "It all started in 1949 when Memphis's own WDIA became the first radio station in the country to switch to all-black programming. After WDIA went off the air, WHBQ decided to capture some of this newly discovered black audience by putting "Daddy-O-Dewey" Phillips - the most popular white deejay in the mid-South - on a new show, Red, Hot and Blue. Although the show originally aired for just fifteen minutes a night, its impact was immeasurable." "While Elvis and Sun Records were still virtually unknown - and two full years before Alan Freed famously "discovered" rock 'n' roll - Dewey Phillips was playing Howlin' Wolf, B. B. King, and Muddy Waters. Phillips is already a part of rock 'n' roll history as the first major disc jockey to play Elvis Presley (and subsequently to conduct the first live, on-air interview with Elvis)." "Using personal interviews, documentary sources, and the oral history collections at the Center for Southern Folklore and the University of Memphis, Louis Cantor presents a very personal view of the disc jockey while arguing for his place as an essential part of rock 'n' roll history. Loaded with anecdotes and insights about key figures, including Elvis's close friend George Klein and Sun Records' Sam Phillips, Dewey and Elvis will be irresistible to anyone interested in Elvis, the Memphis music scene, or the history of rock 'n' roll."--BOOK JACKET.
  • 系統號: 005048332
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Beginning in 1949, while Elvis Presley and Sun Records were still virtually unknown--and two full years before Alan Freed famously "discovered" rock 'n' roll--Dewey Phillips brought the budding new music to the Memphis airwaves by playing Howlin' Wolf, B. B. King, and Muddy Waters on his nightly radio show Red, Hot and Blue. The mid-South's most popular white deejay, "Daddy-O-Dewey" soon became part of rock 'n' roll history for being the first major disc jockey to play Elvis Presley and, subsequently, to conduct the first live, on-air interview with the singer. Louis Cantor illuminates Phillips's role in turning a huge white audience on to previously forbidden race music. Phillips's zeal for rhythm and blues legitimized the sound and set the stage for both Elvis's subsequent success and the rock 'n' roll revolution of the 1950s. Using personal interviews, documentary sources, and oral history collections, Cantor presents a personal view of the disc jockey while restoring Phillips's place as an essential figure in rock 'n' roll history.
來源: Google Book
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