Songs in Black and lavender :race, sexual politics, and women's music
- 作者: Hayes, Eileen M.
- 出版: Urbana : University of Illinois Press c2010.
- 稽核項: x, 231 p. ;25 cm.
- 叢書名: African American music in global perspective
- 標題: Geschichte 1992-2006. , History and criticism. , Musik. , Tontrager. , USA. , Feminism and music , Feminismus. , Homosexuellenbewegung. , Frau. , Feminism and music United States. , Women's music festivals , Geschichte 1970-2006. , African American women Music -- History and criticism. , Musikfestspiel. , Women's music , Schwarze. , African American women , Women's music History and criticism. , Verzeichnis. , Women's music festivals United States. , MusicHistory and criticism.
- ISBN: 0252076982 , 9780252076985
- 試查全文@TNUA:
- 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes discography (p. 213-215), bibliographical references (p. 217-228), and index. Diary of a mad Black woman festigoer -- Reconnaissance : entering a music festival scene -- After the golden age : negotiating perspective -- Nappy (and deep) roots : streams of musical and political influence -- "Ideal relationships" : women's music audiences -- Redistricting : gay and black outdoors -- Legacy : musicians of the next generation -- Working for the weekend : festival organizers and workers -- Guys like us : community membership revisited.
- 電子資源: Inhaltsverzeichnis
- 系統號: 005048335
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and candor, longtime feminist activist Hayes elucidates why this music scene matters. Veteran vocalist, percussionist, producer, and cultural historian Linda Tillery provides a foreword.
來源: Google Book
來源: Google Book
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