Funky Nassau :roots, routes, and representation in Bahamian popular music
- 作者: Rommen, Timothy.
- 出版: Berkeley :Chicago : University of California Press ;Center for Black Music Research, Columbia College c2011.
- 版本: 1st ed.
- 稽核項: xvi, 310 p. :ill., map ;24 cm.
- 叢書名: Music of the African diaspora ;15
- 標題: Popular music Bahamas -- History and criticism. , History and criticism. , Popular music
- ISBN: 0520265696 , 9780520265691
- 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references and index. Nassau's gone Funky : sounding some themes in Bahamian music -- Muddy da water : provincializing the center, or recentering the periphery through rake-n-scrape -- Calypso Island : exporting the local, particularizing the region, and the sounds of goombay -- Gone ta bay : institutionalizing junkanoo, festivalizing the nation -- A new day dawning : cosmopolitanism, roots, and identity in the post-colony -- Back to the island : travels in paradox, creating the future-past.
- 系統號: 005048273
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This book examines the role music has played in the formation of the political and national identity of the Bahamas. Timothy Rommen analyzes Bahamian musical life as it has been influenced and shaped by the islands’ location between the United States and the rest of the Caribbean; tourism; and Bahamian colonial and postcolonial history. Focusing on popular music in the second half of the twentieth and early twenty-first centuries, in particular rake-n-scrape and Junkanoo, Rommen finds a Bahamian music that has remained culturally rooted in the local even as it has undergone major transformations. Highlighting the ways entertainers have represented themselves to Bahamians and to tourists, Funky Nassau illustrates the shifting terrain that musicians navigated during the rapid growth of tourism and in the aftermath of independence.
來源: Google Book
來源: Google Book
評分
