資料來源: Google Book

Agamemnon in performance 458 BC to 2004 AD

  • 其他作者: Macintosh, Fiona,
  • 出版: Oxford, UK : Oxford University Press 2005.
  • 稽核項: xv, 484 p. :ill. ;24 cm.
  • 標題: Aeschylus Stage history , Aeschylus , Stage history , Aeschylus.
  • ISBN: 0199263515 , 9780199263516
  • 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references and index. Cover -- Contents -- List of Illustrations -- List of Contributors -- Note on Nomenclature, Spelling and Texts -- 1. Introduction: Agamemnons in Performance -- SECTION I: IN SEARCH OF THE SOURCES -- 2. Agamemnon for the Ancients -- 3. 'Striking too short at Greeks': The Transmission of Agamemnon to the English Renaissance Stage -- 4. Aeschylus' Clytemnestra versus her Senecan Tradition -- 5. Clytemnestra's Ghost: the Aeschylean Legacy in Gluck's Iphigenia Operas -- SECTION II: THE MOVE TO MODERNITY -- 6. Agamemnon's Influence in Germany: Goethe, Schiller, and Wagner -- 7. Agamemnon: Speaking the Unspeakable -- 8. Viewing Agamemnon in Nineteenth-Century Britain -- 9. OTOTOTOI: Virgina Woolf and 'The Naked Cry' of Cassandra -- SECTION III: THE LANGUAGES OF TRANSLATION -- 10. Translation or Transubstantiation -- 11. Staging Agamemnon: The Languages of Translation -- 12. Pasolini's Agamemnon: Translation, Screen Version and Performance -- 13. The Harrison Version: 'So long ago that it's become a song?' -- SECTION IV: THE INTERNATIONAL VIEW -- 14. Agamemnon in Russia -- 15. Ariane Mnouchkine and the History of the French Agamemnon -- 16. The Chorus of Aeschylus' Agamemnon in Modern Stage Productions: Towards the 'Performative Turn' -- 17. The Millennium Project: Agamemnon in the United States -- 18. Epilogue: Cassandra-The Prophet Unveiled -- 19. Appendix: Agamemnons on the APGRD Database -- References -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y -- Z -- Last Page.
  • 系統號: 005047762
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
This interdisciplinary, multi-author volume is devoted to the performance reception of Aeschylus's 'Agamemnon', the first play in a trilogy. The eighteen essays trace the story of the impact of this seminal play, from its original performance in Athens, through ancient Rome and the European Renaissance until the present day.
來源: Google Book
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