Visions of Japanese modernity :articulations of cinema, nation, and spectatorship, 1895-1925
- 作者: Gerow, Aaron Andrew.
- 出版: Berkeley : University of California Press c2010.
- 稽核項: xiii, 323 p. :ill. ;24 cm.
- 標題: Motion pictures , Pure Film Movement , Motion pictures Japan -- History -- 20th century. , Motion pictures Japan -- History -- 19th century. , History
- ISBN: 0520254562 , 9780520254565
- 附註: 100年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 289-301) and index. The motion pictures as a problem -- Gonda Yasunosuke and the promise of film study -- Studying the pure film -- The subject of the text: Benshi, authors, and industry -- Managing the internal -- Conclusion : mixture, hegemony, and resistance.
- 系統號: 005047784
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Japan has done marvelous things with cinema, giving the world the likes of Kurosawa, Mizoguchi, and Ozu. But cinema did not arrive in Japan fully formed at the end of the nineteenth century, nor was it simply adopted into an ages-old culture. Aaron Gerow explores the processes by which film was defined, transformed, and adapted during its first three decades in Japan. He focuses in particular on how one trend in criticism, the Pure Film Movement, changed not only the way films were made, but also how they were conceived. Looking closely at the work of critics, theorists, intellectuals, benshi artists, educators, police, and censors, Gerow finds that this trend established a way of thinking about cinema that would reign in Japan for much of the twentieth century.
來源: Google Book
來源: Google Book
評分
