資料來源: Google Book

Music and manners in France and Germany :a series of travelling sketches of art and society

  • 作者: Chorley, Henry Fothergill,
  • 出版: Cambridge : Cambridge University Press 2009.
  • 稽核項: 3 v. ;23 cm.
  • 叢書名: Cambridge library collection
  • 標題: Chorley, Henry Fothergill, , History and criticism. , Music Germany -- 19th century -- History and criticism. , Music France -- 19th century -- History and criticism. , Chorley, Henry Fothergill, 1808-1872. , Music
  • ISBN: 1108001912 , 9781108001915
  • 附註: Reprint. Originally published: London : Longman, Brown, Green, and Longmans : Longman, Orme, Brown, Green, and Longmans, 1841-1844. 100年度教育部「獎勵大學教學卓越計畫」購藏. v. 1. The grand opera of Paris. Esmeralda ; The drop-curtain ; The mystery of young France, Robert Le Diable ; The art opera, Stradella ; The national opera, Guillaume Tell ; Duprez ; The masterpiece of French opera, Les Huguenots -- The Brunswick Festival. The journey and the rehearsal ; First day : The oratorio, the dinner ; Second day : The oratorio, the ball ; Third day : Mendelssohn's concert, the opera -- v. 2. Three days in the Harz country. A night on the Brocken ; Rubeland ; The Ross-trappe -- Glimpses of Berlin. First impressions, Der Freischutz ; The court and the opera ; Specimens of German nationality, The Lowe ; Morning hours ; A letter to a lady ; Quartetts and amateurs ; A Gluck pilgrimage, The Huldigung in 1840 -- Parisian authorities. French critics, the journalists -- v. 3. Parisian authorities. French critics, the enthusiasts ; M. Liszt ; The conservatoire -- The Leipsic Fair. The concerts ; Traces of Bach -- Two visits to Dresden. The opera and its environs ; Organ-playing ; Notes on Nuremburg -- Parisian contrasts. Sunday morning ; The palace and the people.
  • 系統號: 005049054
  • 資料類型: 圖書
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  • 引用網址: 複製連結
Henry Fothergill Chorley was music critic of The Athenaeum for over thirty years. This three-volume book, published in 1841, originated in a journal written by Chorley while travelling in Europe. His aim was to 'illustrate the present state of theatrical, orchestral, and chamber music abroad', focusing on aspects that would be least familiar to an English readership. There are detailed accounts of Paris and Berlin, with prominence given to opera, theatre, art galleries and monuments. Chorley also describes visits to Brunswick, Leipzig, Dresden and Nuremburg, and performances by artists including Mendelssohn and Liszt. He intersperses anecdotes about transport, lodgings, landscapes and local customs. Chorley's incisive and entertaining eyewitness accounts will fascinate music-lovers and theatre historians, as well as others interested in the performing arts or travel writing in the nineteenth-century. Volume 3 describes visits to Leipzig, Dresden, Nuremburg and Paris.
來源: Google Book
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