資料來源: Google Book
Opera in the novel from Balzac to Proust
- 作者: Newark, Cormac,
- 出版: Cambridge ;New York : Cambridge University Press 2011.
- 稽核項: ix, 287 p. ;24 cm.
- 叢書名: Cambridge studies in opera
- 標題: Franska romaner historia -- 1800-talet -- 1900-talet. , History and criticism. , Opera i litteraturen. , Opera in literature. , Franska romaner , historia , French fiction 19th century -- History and criticism. , French fiction 20th century -- History and criticism. , French fiction
- ISBN: 0521118905 , 9780521118903
- 試查全文@TNUA:
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 256-282) and index. Balzac, Meyerbeer and science -- Tout entier?: scenes from grand opera in Dumas and Balzac -- The novel in opera: residues of reading in Flaubert -- Knowing what happens next: opera in Verne -- The Phantom and the buried voices of the Paris Opera -- Proust and the soiree a l'Opera chez soi -- Envoi.
- 摘要: "The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fant ome de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"--
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://assets.cambridge.org/97805211/18903/cover/9780521118903.jpg
- 系統號: 005052576
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comédie humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience.
來源: Google Book
來源: Google Book
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