資料來源: Google Book

Classical and romantic music

  • 其他作者: Milsom, David,
  • 出版: Farnham, Surrey, England :Burlington, VT, USA : Ashgate Pub Ltd, ;Ashgate Pub. Co. c2011.
  • 稽核項: xxxii, 495 p. :ill., music ;25 cm.
  • 叢書名: The library of essays on music performance practice.
  • 標題: History and criticism. , Music 19th century -- History and criticism. , Music 18th century -- History and criticism. , Performance practice (Music) , Music , Performance practice (Music) History -- 19th century. , Performance practice (Music) History -- 18th century. , History
  • ISBN: 0754628590 , 9780754628590
  • 附註: Essays originally published 1973-2010. 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references and index. Pt. I. Style and purpose: appraising eighteenth and nineteenth century aesthetics. 1. Performing classical repertoire: the unbridgeable gulf between contemporary practice and historical reality / Clive Brown -- 2. Mozart as early music: a romantic antidote / Laurence Dreyfus -- 3. Listening and responding to the evidence of ealy twentieth-century performance / Daniel Leech-Wilkinson -- Pt. II. Studies in historical sources. 4. Mathis Lussy's Traite de l'expressione musicale as a window into performance practice / Michael D. Green -- 5. Quantz's unegal: implications for the performance of 18th-century music / Claire A. Fontijn -- 6. The recordings of Joachim, Ysaye and Sarasate in light of their reception by nineteenth-century British critics / Dorottya Fabian -- Pt. III. Instruments, ensembles and conducting. 7. Towards a Verdian ideal of singing: emancipation from modern orthodoxy / Roger Freitas -- 8. Brahms's pianos and the performance of his late piano works / Camilla Cai -- 9. The orchestra in Beethoven's Vienna / Clive Brown -- 10. Mozart's Viennese orchestras / Dexter Edge -- 11. Rejected traditions: ensemble placement in nineteenth-century Paris / Donna M. Di Grazia -- 12. Style and sonority in Wagner string performance / David Milsom -- 13. The origins of the ideology of authenticity in interpretation: Mendelssohn, Berlioz and Wagner and conductors / Jose Antonio Bowen -- Pt. IV. Tempo and rhythm. 14. Historical performance, metronome marks and tempo in Beethoven's symphonies / Clive Brown -- 15. The case of compensating rubato / Sarah Martin -- 16. Tempo as an expressive element in the late Romantic lied / Edward F. Kravitt -- 17. New light on late eighteenth-century tempo: William Crotch's pendulum markings / Emanuel Rubin -- Pt. V. Aspects of notation. 18. Dots and strokes in late 18th- and 19th-century music / Clive Brown -- 19. The expressive pause: punctuation, rests and breathing in England 1770-1850 / Robert Toft -- 20. Beggar at the door: the ri
  • 系統號: 005052441
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
來源: Google Book
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