Composing the modern subject :four string quartets by Dmitri Shostakovich
- 作者: Reichardt, Sarah Jane,
- 出版: Aldershot, England ;Burlington, VT : Ashgate c2008.
- 稽核項: xii, 129 p. ;25 cm.
- 標題: Streichquartett. , Sostakovic, Dmitrij D. , String quartet , Shostakovich, Dmitrii Dmitrievich, , String quartet 20th century. , Shostakovich, Dmitrii Dmitrievich, 1906-1975.
- ISBN: 0754658848 , 9780754658849
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. [121]-126) and index. Shostakovich and the modern subject -- The end that is no end : cadences and closure in the sixth String quartet, op. 101 (1956) -- The space between : codas, death and the seventh String quartet, op. 108 (1960) -- Musical hauntings : the ritual of conjuration in Shostakovich's eighth String quartet, op. 110 (1960) -- The indivisible remainder : novelization in the ninth String quartet, op. 117 (1964).
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip086/2007049841.html Inhaltsverzeichnis
- 系統號: 005053081
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Dmitri Shostakovich and his music have been subject to heated debate concerning how the musical meaning of his works can be understood in relationship to the composer's life within the Soviet State. This book offers a useful corrective: setting aside biographically grounded and traditional analytical modes of explication, Reichardt uncovers and explores the musical ambiguities of four of the composer's middle string quartets. The music is constantly collapsing, reversing, inverting and denying its own structural imperatives. Reichardt argues that such confrontation of the musical language with itself, also speaks poignantly to the fractured state of a more general form of modern subjectivity.
來源: Google Book
來源: Google Book
評分
