The gendered score :music in 1940s melodrama and the woman's film
- 作者: Laing, Heather.
- 出版: Aldershot, Hampshire, England ;Burlington, VT : Ashgate c2007.
- 稽核項: xiv, 196 p. :ill. ;24 cm.
- 叢書名: Ashgate popular and folk music series
- 標題: Motion picture music , History and criticism. , Gender identity in motion pictures. , Motion picture music History and criticism. , Filmmusik. , Frauenfilm. , Gender identity in music.
- ISBN: 0754651002 , 9780754651000
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p. [179]-184), and filmography (p. [185]-188), and index. The siren and the muse : ideas of gender emotion and subjectivity in music and film -- Music and the voice in the woman's film -- The female listener -- The female musician -- The male musician.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip073/2006032406.html
- 系統號: 005052730
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Heather Laing examines, for the first time, the issues of gender and emotion that underpin the classical style of film scoring, but that have until now remained unquestioned and untheorized, thus providing a benchmark for thinking on more recent and alternative styles of scoring. Case studies of specific films provide textual and musical analyses, and the genres of melodrama and the woman's film have been chosen as representative not only of the epitome of the Hollywood scoring style, but also of the narrative association of women, emotion and music. Laing leads to the conclusion that music functions as more than merely a signifier of emotion. Rather, it takes a crucial role in both indicating and determining how emotion is actually understood as part of the construction of gender and its representation in film.
來源: Google Book
來源: Google Book
評分
