Bartok and the grotesque :studies in modernity, the body and contradiction in music
- 作者: Brown, Julie
- 其他作者: Royal Musical Association.
- 出版: Aldershot, England ;Burlington, Vt. : Ashgate c2007.
- 稽核項: ix, 182 p. :ill., music ;25 cm.
- 叢書名: Royal Musical Association monographs ;16
- 標題: Bartok, Bela, 1881-1945 Criticism and interpretation. , Bartok, Bela, , Criticism and interpretation. , Grotesque in music.
- ISBN: 0754657779 , 9780754657774
- 附註: Includes bibliographical references (p. [172]-177) and index. Bartok and the nineteenth-century grotesque -- Bartok and the body -- The mandarin’s miraculous body : 'expressly for our vexation'? -- The third string quartet as grotesque -- Conclusion and coda : on Adorno and the grotesque.
- 系統號: 005052748
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
來源: Google Book
來源: Google Book
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