Seeing through music :gender and modernism in classic Hollywood film scores
- 作者: Franklin, Peter.
- 出版: New York : Oxford University Press c2011.
- 稽核項: 191 p. :ill. ;25 cm.
- 叢書名: The Oxford music/media series
- 標題: Motion picture music , History and criticism. , Motion picture music United States -- History and criticism. , Modernism (Music)
- ISBN: 0195383451 , 9780195383454
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. I: Music into film: critical cross-fades -- Men's musicology/women's films: meanings of late Romanticism -- Exploitation and seduction: converging responses to popular opera and film -- Into the mists...Subjective realms (and the undoing of men?): film's critique of music -- II: Watching symphonies: cautionary tales -- Symphonic narratives (and promiscuous pleasure): film music and changing perceptions of the symphony in the nineteenth century -- Return of the undone woman: Hollywood's music and the critical history of late Romanticism -- Modernism and 'the Image of the man': Hollywood interprets musical modernism. Includes bibliographical references and index.
- 系統號: 005052618
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Seeing Through Music levels the critical playing-field between film-music and so-called 'serious music', reflecting upon gender-related ideas about music and modernism as much as about film. It proposes a history of twentieth-century music that would include the scores of a number of the major Hollywood movies discussed here.
來源: Google Book
來源: Google Book
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