The courtly consort suite in German-speaking Europe, 1650-1706
- 作者: Robertson, Michael,
- 出版: Farnham, England ;Burlington, VT : Ashgate c2009.
- 稽核項: xviii, 275 p. :ill., music ;24 cm.
- 標題: Dance music Europe, German-speaking -- 18th century -- History and criticism. , Stijlen. , History and criticism. , Suite (Music) 17th century. , Dance music Europe, German-speaking -- 17th century -- History and criticism. , Hofcultuur. , Dance music , Lully, Jean-Baptiste. , Deutschland. , Suite (Music) 18th century. , Uitvoeringspraktijk. , Tanzmusik. , Suite (Music) , Duitsland. , Kammermusik. , Dansmuziek. , Suite. , Rezeption. , Hofmusik.
- ISBN: 0754664511 , 9780754664512
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references and index. Une splendour & une magnificence incroyable : music and dance at the German court -- Nach der lustigen Frantzosischen Manier zu spielen : national style and the transmission of dance music -- Composees sur le m eme mode ou ton : defining the suite -- Frantzosische Branles, Courantes, Sarabandes, Ballettas : manuscript sources of the courtly suite before 1682 -- Burgermeistern syndicis : printed editions by court composers before 1682 -- Ouverturen und Airs : the German Lullists -- Verschiedenen Ouverturen, Chaconnen, lustigen Suiten : the German Lullists II -- Cette nouvelle harmonie : unifying French and Italian styles -- Einer teutschen Fuhrung : Vienna, the imperial court -- Eine frische Frantzosische Ouverture ihnen allen zu proeferiren : conclusion and case studies.
- 系統號: 005052697
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Dance music at the courts of seventeenth-century Germany is a genre that is still largely unknown. Dr Michael Robertson sets out to redress the balance and study the ensemble dance suites that were played at the German courts between the end of the Thirty Years War and the early years of the eighteenth century. The book examines the dissemination of dance music, the influence of Jean-Baptiste Lully, instrumentation and performance practice, and the differences between the French and Italian styles. It also studies the courtly suites before the advent of Lullism and the differences between the suites of court composers and town musicians.
來源: Google Book
來源: Google Book
評分