Experimental arts in postwar Japan :moments of encounter, engagement, and imagined return
- 作者: Sas, Miryam.
- 出版: Cambridge, Mass. : Harvard University Asia Center :Distributed by Harvard University Press 2011.
- 稽核項: xvii, 275 p. :ill. ;24 cm.
- 叢書名: Harvard East Asian monographs ;329
- 標題: Avant-garde (Aesthetics) , Arts, Japanese 20th century. , Arts, Japanese , Avant-garde (Aesthetics) Japan.
- ISBN: 0674053400 , 9780674053403
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references and index. Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
- 系統號: 005055310
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In the years of rapid economic growth following the protest movements of the 1960s, artists and intellectuals in Japan searched for a means of direct impact on the whirlwind of historical and cultural transformations of their time. This book explores the theoretical and cultural implications of experimental arts in a range of media.
來源: Google Book
來源: Google Book
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