Aesthetic Constructions of Korean Nationalism :Spectacle, Politics, and History
- 作者: Kal, Hong,
- 出版:
- 稽核項: xix, 164 pages :illustrations ;24 cm.
- 叢書名: Asia's transformations
- 標題: Nationalism Korea -- History -- 20th century. , Arts , Arts Political aspects -- Korea -- History -- 20th century. , Exhibitions , Exhibitions Korea -- History -- 20th century. , Political aspectsHistory , Nationalism , History
- ISBN: 041585752X , 9780415857529
- ISBN: 9780203816042 , 0203816048
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (pages 147-158) and index. Introduction -- Part I: Modernity, colonial expositions and the city -- Nationalism and the politics of visual comparison: the 1915 Korean Industrial Exposition -- Modeling the west, returning to Asia: the 1929 Korean Exposition -- Seoul in motion: urban form and political consciousness -- Part II: Korean nationalism and postcolonial exhibitions -- The temple of ethnic nationalism: war memorial museums in Korea and Japan -- Ancestors, the avant-garde, and the making of "culture" in postcolonial Korea -- Flowing back to the future: the Cheonggye stream restoration.
- 摘要: 'Aesthetic Constructions of Korean Nationalism' chooses expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism.
- 系統號: 005054915
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Aesthetic Constructions of Korean Nationalism chooses expositions, museums and the urban built environment at particular moments in both colonial and postcolonial eras and analyses their discursive relations in the construction of Korean nationalism. By linking concepts of visual spectacle, space and governmentality, this book explores how visual spectacles and spaces made the nation imaginable to the public in both the past and the present; how they represented a new modality of seeing for the state and contributed to the shaping of collective identities in colonial and postcolonial Korea; and how their different modes were associated with the change in governmentality in Korea. In addressing these questions, the book interprets the politics behind the culture of displays and shows both the continuity and the transformation of spectacles as a governing technology in twentieth-century Korea.
來源: Google Book
來源: Google Book
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