資料來源: Google Book
Caribbean and Atlantic diaspora dance :igniting citizenship
- 作者: Daniel, Yvonne,
- 出版: Urbana, Ill. : University of Illinois Press c2011.
- 稽核項: xviii, 266 p. :ill. ;23 cm.
- 標題: SOCIAL SCIENCE / Anthropology / Cultural. , Anthropological aspects , Dance Caribbean Area -- African influences. , Dance , European influences. , Dance Anthropological aspects -- Caribbean Area. , Dance Social aspects -- Caribbean Area. , Social aspects , HISTORY / Caribbean & West Indies / General. , PERFORMING ARTS / Dance / Folk. , African influences. , Dance Caribbean Area. , Dance Caribbean Area -- European influences.
- ISBN: 0252078268 , 9780252078262
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references and index.
- 摘要: " In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas, rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de ma'n. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism"--Provided by publisher.
- 系統號: 005060878
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas,rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de maní. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism.
來源: Google Book
來源: Google Book
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