資料來源: Google Book
Wagner beyond good and evil
- 作者: Deathridge, John.
- 出版: Berkeley : University of California Press c2008.
- 稽核項: xiii, 302 p. :music ;24 cm.
- 叢書名: An Ahmanson Foundation book in the humanities
- 標題: Criticism and interpretation. , Opera , Wagner, Richard, , Wagner , Wagner Richard -- 1813-1883 -- Criticism and interpretation. , Wagner, Richard, 1813-1883 , 19th century. , Opera 19th century. , Wagner, Richard, 1813-1883 Criticism and interpretation. , Richard1813-1883Criticism and interpretation. , Opera's.
- ISBN: 0520254538 , 9780520254534
- 試查全文@TNUA:
- 附註: "An Ahmanson Foundation book in the humanities"--Jacket flap. 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 243-282) and index. pt. 1. A few beginnings. -- Wagner lives : issues in autobiography -- "Pale" Senta : female sacrifice and the desire for Heimat -- Wagner the progressive : another look at Lohengrin -- pt. 2. Der Ring des Nibelungen. -- Fairy tale, revolution, prophecy : preliminary evening : Das Rheingold -- Symphonic mastery or moral anarchy? : first day : Die Walkure -- Siegfried hero : second day : Siegfried -- Finishing the end : third day : Gotterdammerung -- pt. 3. The elusiveness of tragedy. -- Don Carlos and Gotterdammerung : two operatic endings and Walter Benjamin's Trauerspiel -- Wagner's Greeks, and Wieland's too -- pt. 4. Tristan und Isolde. -- Dangerous fascinations -- Public and private life : reflections on the genesis of Tristan and Isolde and the Wesendonck Lieder -- Postmortem on Isolde -- pt. 5. Mature polemics. -- Strange love, or, how we learned to stop worrying and love Parsifal -- Mendelssohn and the strange case of the (Lost) symphony in C -- Unfinished symphonies -- pt. 6. Operatic futures -- Configurations of the new -- Wagner and beyond.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip0810/2008004589.html
- 系統號: 005063692
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"This collection provides us with that rarest of objects: a genuinely new book on Wagner. Virtually every page offers fresh perspectives, some of them mined from the most unlikely of sources; indeed, the sheer eclecticism of the book, its willingness to range widely and irreverently through both popular and elite culture, is one of its greatest strengths."—Roger Parker, author of Remaking the Song: Operatic Visions and Revisions from Handel to Berio "John Deathridge is one of the most authoritative, widely-regarded Wagner scholars around in any language. Few can match his command of scholarship and primary sources, and no one else knows how to put them to such clever, provocative uses. In addition, Deathridge enjoys an impressive range of critical, historical, and literary reference. The writing is consistently lively and engaging. The collection will provide a welcome change of diet for those tired of the usual Wagnerian fare. This is a welcome contribution, indeed."—Thomas Grey, author of Wagner's Musical Prose: Texts and Contexts
來源: Google Book
來源: Google Book
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