資料來源: Google Book
Butting out :reading resistive choreographies through works by Jawole Willa Jo Zollar and Chandralekha
- 作者: Chatterjea, Ananya.
- 出版: Middletown, Conn. : Wesleyan University Press c2004.
- 版本: 1st ed.
- 稽核項: xv, 377 p. :ill. ;24 cm.
- 標題: Choreography , Choreography Study and teaching. , Dance , Zollar, Jawole Willa Jo. , Social aspects. , Feminism and the arts. , Dance Social aspects. , Study and teaching. , Chandralekha.
- ISBN: 0819567337 , 9780819567338
- 試查全文@TNUA:
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 351-358) and index. Premises and locations -- By way of introductions -- The body mobile, mobilized, mobilizing, or, regarding legacies -- Danced disruptions : postmodern preoccupations and reconsiderations -- The historic problem : historicity as legal alien -- Text dances : pieces and thoughts -- In thinking through this journey.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/toc/ecip0421/2004019055.html
- 系統號: 005063617
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
First major study of two important contemporary female dancers. Jawole Willa Jo Zollar and Chandralekha are major choreographers of the 20th century whose work will leave the dance field with a legacy as important and strong as that of Martha Graham and Doris Humphrey. Zollar is Artistic Director of the world-renowned company, The Urban Bush Women (based in New York City), and Chandralekha is an Indian choreographer (based in Madras) who has performed internationally and is known for her radical mixing of postmodern and traditional dance forms. In this nuanced and in-depth study, dance scholar Ananya Chatterjea shows how each of these choreographers has positioned herself through performance in terms of gender, race, and nationality. Reading each dancer's major works in order to assess their unique contributions to the development of global culture, Butting Out does important theoretical work to identify common threads in the history of cultural production and the aesthetic philosophies of the artists. Chatterjea draws on theory from an array of complementary fields, including women's studies, African-American studies, and postcolonial studies. The book is beautifully enhanced by 42 black and white photographs.
來源: Google Book
來源: Google Book
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