Hearing and knowing music :the unpublished essays of Edward T. Cone
- 作者: Cone, Edward T.
- 其他作者: Morgan, Robert P.
- 出版: Princeton : Princeton University Press c2009.
- 稽核項: x, 215 p. :ill., music ;25 cm.
- 標題: Musik , History and criticism. , Geschichte 1750-1920 , Music , Music History and criticism.
- ISBN: 0691140111 , 9780691140117
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. [207]-210) and index. "Published works of Edward T. Cone": p. [207]-210. Part I: Aesthetics. -- The Missing Composer -- The Silent Partner -- The Irrelevance of Tonality? -- Hearing and Knowing Music -- Part II: Opera and song. -- Mozart's Deceptions -- Siegfried at the Dragon Cave: the Motivic Language of The Ring -- Schubert's Heine Songs -- Part III: The composer as critic. -- The composer as critic -- Schubert criticizes Schubert -- Part IV: Analysis. -- Schubert's Symphonic Poem -- Debussy's Art of Suggestion -- Stravinsky at the Tomb of Rimsky-Korsakov -- Stravinsky's Version of Pastoral -- Stravinsky's Sense of Form -- Published works of Edward T. Cone.
- 摘要: Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music [Publisher description]
- 系統號: 005064002
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Edward T. Cone was one of the most important and influential music critics of the twentieth century. He was also a master lecturer skilled at conveying his ideas to broad audiences. Hearing and Knowing Music collects fourteen essays that Cone gave as talks in his later years and that were left unpublished at his death. Edited and introduced by Robert Morgan, these essays cover a broad range of topics, including music's position in culture, musical aesthetics, the significance of opera as an art, setting text to music, the nature of twentieth-century harmony and form, and the practice of musical analysis. Fully matching the quality and style of Cone's published writings, these essays mark a critical addition to his work, developing new ideas, such as the composer as critic; clarifying and modifying older positions, especially regarding opera and the nature of sung utterance; and adding new and often unexpected insights on composers and ideas previously discussed by Cone. In addition, there are essays, such as one on Debussy, that lead Cone into areas he had not previously examined. Hearing and Knowing Music represents the final testament of one of our most important writers on music.
來源: Google Book
來源: Google Book
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