Bach's cycle, Mozart's arrow :an essay on the origins of musical modernity

• 作者: Berger, Karol,
• 出版: Berkeley : University of California Press c2007.
• 稽核項: xi, 420 p. :ill., music ;24 cm.
• 叢書名: A Simpson book in the humanities
• 標題: Mozart, Wolfgang Amadeus, 1756-1791 , History and criticism. , Criticism and interpretation. , Geschichte 1700-1800 , Bach, Johann Sebastian, 1685-1750 Criticism and interpretation. , Musik. , Music , Mozart, Wolfgang Amadeus, 1756-1791 Criticism and interpretation. , Music 18th century -- History and criticism. , Musikphilosophie. , Mozart, Wolfgang Amadeus, , Bach, Johann Sebastian. , Musikasthetik. , Bach, Johann Sebastian,
• ISBN: 0520250915 , 9780520250918
• 試查全文@TNUA:
  
• 附註: "Simpson, imprint in humanities" 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (pages 393-407) and index. Prelude : L'Orfeo, or the anxiety of the moderns -- Bach's cycle. The arrested procession ; A crystal flying like a bullet ; There is no time like God's time -- Interlude : Jean-Jacques contra Augustinum : a little treatise on moral-political theology -- Mozart's arrow. Mozart at play ; The hidden center ; Between incoherence and inauthenticity : Don Giovanni and Faust ; Die Zauberflote, or the self-assertion of the moderns -- Postlude : between utopia and melancholy : Beethoven and the aesthetic state.
• 摘要: Karol Berger uses the works of Monteverdi, Bach, Mozart and Beethoven to support two claims: first that it was only in the later 18th century that music began to take the flow of time from the past to the future seriously; and second that this change in structure was an aspect of a larger transformation towards modernity.
• 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip0620/2006029140.html
• 系統號: 005063719
• 資料類型: 圖書
• 讀者標籤: 需登入
• 引用網址: 複製連結
• 目前引用數