Conceptual revolutions in twentieth-century art

• 作者: Galenson, David W.
• 其他作者: National Bureau of Economic Research.
• 出版: New York : Cambridge University Press 2009.
• 稽核項: xvi, 443 p. ;23 cm.
• 標題: Art, Modern , Art, Modern 20th century. , Modern konst 1900-talet. , historia. , Avantgarde. , Art and society , Art and society History -- 20th century. , Geschichte 1900-2000. , Modern konst , Kunst. , Konst och samhalle , Creation (Literary, artistic, etc.) , Konst och samhalle historia. , History
• ISBN: 0521129095 , 9780521129091
• 試查全文@TNUA:
  
• 附註: "NBER." 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 405-421) and index. Introduction: and now for something completely different -- The back story of twentieth-century art -- The greatest artists of the twentieth century -- The most important works of art of the twentieth century -- The greatest artistic breakthroughs of the twentieth century -- The greatest women artists of the twentieth century -- Creating new genres : conceptual artists at work and play in the twentieth century -- And now for something completely different : the versatility of conceptual innovators -- You cannot be serious : the conceptual innovator as trickster -- Painting by proxy : the conceptual artist as manufacturer -- Co-authoring advanced art -- Language in visual art -- Portraits of the artist : personal visual art in the twentieth century -- The rise and (partial) fall of abstract painting in the twentieth century -- The globalization of advanced art in the twentieth century -- Artists and the market : from Leonardo and Titian to Warhol and Hirst -- The state of advanced art : the late twentieth century and beyond.
• 摘要: This volume combines social scientific methods with qualitative analysis to produce an interpretation of modern art. The art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators -- from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst -- responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. The author concludes that contemporary art is the logical result of conceptual innovators operating in a competitive market that has consistently rewarded radical and conspicuous innovation.
• 電子資源: https://dbs.tnua.edu.tw/login?url=http://tocs.kubikat.org/rco/b00/345/b00345346f-toc.pdf
• 系統號: 005063644
• 資料類型: 圖書
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• 引用網址: 複製連結
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