Jewish musical modernism, old and new
- 其他作者: Bohlman, Philip Vilas. , Gilman, Sander L. , New Budapest Orpheum Society (Musical group)
- 出版: Chicago : University of Chicago Press 2008.
- 稽核項: xix, 218 p. :ill. (some col.), music ;25 cm.+ 1 sound disc (digital ; 4 3/4 in.)
- 標題: Geschichte , History and criticism. , Jews , Jews Music -- History and criticism. , Modernismus , Modernism (Music) , Music 20th century -- History and criticism. , Music , Juden , Musik , MusicHistory and criticism. , Jewish musicians.
- ISBN: 0226063267 , 9780226063263
- 附註: Includes bibliographical references and index. Songs on accompanying CD performed by the New Budapest Orpheum Society; title on CD: Moments musicaux et modernes : Jewish modernism in popular and political music. Contents of CD, explanatory notes, texts (in Hebrew or German), and English translations (p. 179-204). 100年度教育部購置教學研究相關圖書儀器及設備計畫. Foreword: Are Jews musical? Historical notes on the question of Jewish musical modernism / Sander L. Gilman -- Acknowledgments -- Introduction: The transcendent moment of Jewish modernism / Philip V. Bohlman -- Multiple modernisms? Episodes from the sciences as cultures, 1900-1945 / Mitchell G. Ash -- Sephardic fins des siecles : the liturgical music of Vienna's Turkisch-Israelitische community on the threshold of modernity / Edwin Seroussi -- Jewish music and German science / Pamela M. Potter -- Echoes from beyond Europe : music and the Beta Israel transformation / Kay Kaufman Shelemay -- Charlotte Salomon's modernism / Michael P. Steinberg -- Epilogue : beyond Jewish modernism / Philip V. Bohlman -- Appendix 1. Moments musicaux et modernes : Jewish modernism in popular and political music : accompanying CD by the New Budapest Orpheum Society -- Appendix 2. CD texts and translations.
- 摘要: Tackling the myriad issues raised by Sander Gilmans provocative opening salvoAre Jews Musical?this volumes distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0805/2007045221-t.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0827/2007045221-b.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0827/2007045221-d.html
- 系統號: 005064011
- 資料類型: 視聽(聲音)
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Tackling the myriad issues raised by Sander Gilman’s provocative opening salvo—”Are Jews Musical?”—this volume’s distinguished contributors present a series of essays that trace the intersections of Jewish history and music from the late nineteenth century to the present. Covering the sacred and the secular, the European and the non-European, and all the arenas where these realms converge, these essays recast the established history of Jewish culture and its influences on modernity. Mitchell Ash explores the relationship of Jewish scientists to modernist artists and musicians, while Edwin Seroussi looks at the creation of Jewish sacred music in nineteenth-century Vienna. Discussing Jewish musicologists in Austria and Germany, Pamela Potter details their contributions to the “science of music” as a modern phenomenon. Kay Kaufman Shelemay investigates European influence in the music of an Ethiopian Jewish community, and Michael P. Steinberg traces the life and works of Charlotte Salomon, whose paintings staged the destruction of the Holocaust. Bolstered by Philip V. Bohlman’s wide-ranging introduction and epilogue, and featuring lush color illustrations and a complementary CD of the period’s music, this volume is a lavish tribute to Jewish contributions to modernity.
來源: Google Book
來源: Google Book
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