Music in North India :experiencing music, expressing culture
- 作者: Ruckert, George.
- 出版: New York : Oxford University Press 2004.
- 稽核項: xii, 100 p. :ill. ;22 cm. + 1 sound disc (digital ; 4 3/4 in.)
- 叢書名: Global music series
- 標題: History and criticism. , Musique hindoustani , Musique hindoustani Histoire et critique. , Sociale aspecten. , Muziek. , Hindustani music , Indien (Nord) , Hindustani music History and criticism. , Histoire et critique. , Musik
- ISBN: 0195139933 , 9780195139938
- 附註: 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references and index. Modernity and tradition. A culture of bewildering variety ; Threads to follow in this text ; The old and new in an ancient land ; Indian music on the move -- Affect. Religious connotation ; Sacred texts ; Verbal syllables ; Song texts ; A musician's practice ; The nine moods ; Extramusical effects ; Conclusion -- Teaching, learning, and performing music. Teaching and learning music ; Old traditions in new packages -- Rhythm and drumming. Tala ; Theka: the tal as a succession of drum ; Counting patterns in tal ; The tabla ; Kayda ; Tihai ; Other drumming traditions ; Conclusion -- Song and performance. Composition and improvisation ; What is a raga? ; Raga in performance ; The on-the-spot development of the composition ; Song texts in classical styles ; Other song genres ; Conclusion -- Instrumentals, melodic and rhythmic. Drone instruments ; Melody instruments ; The sitar and the sarod ; Other melody instruments ; Ensembles ; Conclusion -- The old world joins the new. The postcolonial era ; The effect of the new democracy on music ; Electronics: preserving and spreading the traditions ; Some views form an old master.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0614/2003053588-d.html
- 系統號: 005063510
- 資料類型: 視聽(聲音)
- 讀者標籤: 需登入
- 引用網址: 複製連結
Music in North India provides a representative overview of this music, discussing rhythm and drumming traditions, song composition and performance styles, and melodic and rhythmic instruments. Drawing on his experience as a sarod player, vocalist, and music teacher, author George Ruckert incorporates numerous musical exercises to demonstrate important concepts. The book ranges from the chants of the ancient Vedas to modern devotional singing and from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla. It is framed around three major topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India.
來源: Google Book
來源: Google Book
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