Beyond the soundtrack :representing music in cinema
- 其他作者: Goldmark, Daniel. , Kramer, Lawrence, , Leppert, Richard D.
- 出版: Berkeley : University of California Press c2007.
- 稽核項: vii, 324 p. :ill., music ;23 cm.
- 標題: Motion picture music , History and criticism. , Film, Musique de Histoire et critique. , Motion picture music History and criticism. , Histoire et critique. , Film, Musique de
- ISBN: 0520250702 , 9780520250703
- 試查全文@TNUA:
- 附註: "An Ahmanson foundation book in the humanities"--P. [4] of cover. 100年度教育部購置教學研究相關圖書儀器及設備計畫. Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index. Introduction. Phonoplay : recasting film music -- Musical meaning. The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" / Peter Franklin ; Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica / Nicholas Cook ; Minima romantica / Susan McClary ; Melodic trains : music in Polanksi's The pianist / Lawrence Kramer ; Mute music : Polanski's The pianist and Campion's The piano / Michel Chion -- Musical agency. Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo / Richard Leppert ; Sight, sound, and the temporality of myth making in Koyaanisqatsi / Mitchell Morris ; How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy -- Auteur music / Claudia Gorbman -- Transport and transportation in audiovisual memory / Berthold Hoeckner -- The fantastical gap between diegetic and nondiegetic / Robynn J. Stilwell -- Musical identity. Early film themes : Roxy, Adorno, and the problem of cultural capital / Rick Altman ; Before Willie : reconsidering music and the animated cartoon of the 1920s / Daniel Goldmark ; Side by side : Nino Rota, music, and film / Richard Dyer ; White face, black noise : Miles Davis and the soundtrack / Krin Gabbard ; Men at the keyboard : liminal spaces and the heterotopian function of music / Gary C. Thomas.
- 摘要: This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to image in reshaping the experience of film.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://hdl.handle.net/2027/heb.08024 https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip0618/2006025494.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0735/2006025494-b.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0702/2006025494-d.html
- 系統號: 005063799
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
"Put briefly, this is a superb collection of essays. They are lucidly and eloquently written, and make their points with wit and clarity. They are full of perceptive, highly stimulating, and occasionally provocative illustrations of how practice connects to theory (and vice versa) without getting bogged down in academic language. The contributors include a combination of exceptionally admired film music scholars, and of musicologists renowned for their keen insights into the cultural contexts of music production and reception. This book is an excellent resource and compelling read."—Derek B. Scott, author of From the Erotic to the Demonic: On Critical Musicology
來源: Google Book
來源: Google Book
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