The provocation of the senses in contemporary theatre
- 其他作者: Di Benedetto, Stephen.
- 出版: London : Routledge 2010.
- 稽核項: xii, 238 p. ;24 cm.
- 叢書名: Routledge advances in theatre and performance studies ;13
- 標題: Performing arts , Philosophy. , Human information processing. , Senses and sensation. , Performing arts. , Theater. , Performing arts Philosophy.
- ISBN: 0415506999 , 9780415506991
- 附註: Preface: Why Contemporary Performance Can Provoke the Senses Acknowledgments 1: Our Sensing Bodies: A Multidisciplinary Approach to Understanding Live Theatrical Experience 2: Scintillating Visions and Visual Perception: How Light, Movement and Stage Space Capture Our Attention and Stimulate Our Brains 3: Attendant to Touch: Cutaneous Stimulation and its Expressive Capabilities 4: Noses, Tongues and Other Surprising Possibilities: Harnessing Olfaction and Gustation in Performance 5: Aural Landscapes: Voices, Noises, Vibrations and Other Quivering Stimulators of Cochlear Perception 6: The Sentient Body: Guiding Somatic Responses Within Performative Structures Notes Bibliography Index. 100年度教育部購置教學研究相關圖書儀器及設備計畫. 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題 : 藝術學 : 全球化與劇場跨界.
- 摘要: Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.
- 系統號: 005064401
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Di Benedetto considers theatrical practice through the lens of contemporary neuroscientific discoveries in this provoking study, which lays the foundation for considering the physiological basis of the power of theatre practice to affect human behavior. He presents a basic summary of the ways that the senses function in relation to cognitive science and physiology, offering an overview of dominant trends of discussion on the realm of the senses in performance. Also presented are examples of how those ideas are illustrated in recent theatrical presentations, and how the different senses form the structure of a theatrical event. Di Benedetto concludes by suggesting the possible implications these neuroscientific ideas have upon our understanding of theatrical composition, audience response, and the generation of meaning.
來源: Google Book
來源: Google Book
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