資料來源: Google Book

Five orchestral pieces ; and, Pelleas und Melisande

Schoenberg's theory of "composition with twelve tones" dominated international composition through most of the 20th century — and this edition collects the first steps of the composer's revolution. Pelleas und Melisande (1902) reveals Schoenberg's expanding chromatic language while Five Orchestral Pieces renounces motivic connections as well as tonality.
來源: Google Book
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