Nationalists, cosmopolitans, and popular music in Zimbabwe
- 作者: Turino, Thomas.
- 出版: Chicago : University of Chicago Press c2000.
- 稽核項: x, 401 p. :ill. ;24 cm.
- 叢書名: Chicago studies in ethnomusicology
- 標題: History and criticism. , Popular music , Social aspects , Populaire muziek. , Simbabwe. , Nationalisme. , Music , Music Social aspects -- Zimbabwe. , Musik. , Popular music Zimbabwe -- History and criticism.
- ISBN: 0226817024 , 9780226817026
- 試查全文@TNUA:
- 附註: 101年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 377-389), discography (p. 391-392), and index. Part One: Critical Foundations. Social Identities and Indigenous Musical Practices -- Part Two: Colonialism and the Rise of Urban Popular Music. Indigenous Music and Dance in Mbare Township, 1930-1960 -- The Settler-State and Indigenous Music during the Federation Years -- The African Middle Class: Concerts, Cultural Discourse, and All That Jazz -- Part Three: Musical Nationalism. Music, Emotion, and Cultural Nationalism, 1958-1963 -- Musical Nationalism and Chimurenga Songs of the 1970s -- Part Four: Guitar Bands and Cosmopolitan Youth Culture. On the Margins of Nationalism: Acoustic Guitarists and Guitar Bands of the 1960s -- Stars of the Seventies: The Rise of Indigenous-Based Guitar Bands -- Part Five: Globalization Begins at Home. Nationalism, Cosmopolitanism, and Popular Music after 1980.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://hdl.handle.net/2027/heb.05910 https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0609/00008067-t.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/bios/uchi051/00008067.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/description/uchi051/00008067.html
- 系統號: 005072485
- 資料類型: 圖書
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- 引用網址: 複製連結
Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.
來源: Google Book
來源: Google Book
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