Music, race & nation :musica tropical in Colombia
- 作者: Wade, Peter,
- 出版: Chicago : University of Chicago Press 2000.
- 稽核項: xi, 323 p. :ill., 1 map ;24 cm.
- 叢書名: Chicago studies in ethnomusicology
- 標題: Ethnomusicologie Colombie. , Pazifikkuste. , Music and race. , History and criticism. , Music , Musica tropical Colombia -- History and criticism. , Musik. , Music Social aspects -- Colombia. , Volksmuziek. , Social aspects , Geschichte. , Sociale aspecten. , Aspect social , Kolumbien. , Histoire et critique. , Musique , Musique et race. , Schwarze. , Ethnomusicologie , Musique Aspect social -- Colombie. , Musica tropical , Musique tropicale , Musique tropicale Colombie -- Histoire et critique.
- ISBN: 0226868451 , 9780226868455
- 試查全文@TNUA:
- 附註: 101年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 255-310) and index. 1. Introduction -- National identity -- Race and nation -- Nation, gender, race, and sexuality -- Music, identity, and music capitalism -- 2. La Costa and musica Coste~na in the Colombian nation -- The Colombian nation -- La Costa in the nation -- The identity of La Costa -- Colombian popular music and Coste~no music -- 3. Origin myths : the historiography of Coste~no music -- Cultural dynamics in the nineteenth century -- Porro -- Cumbia -- Vallenato -- Conclusion -- 4. Music, class, and race in La Costa, 1930-1950 -- Class in Barranquilla, 1920s-1940s -- Changes in music, 1920s-1940s -- Music, class, and race in La Costa -- 5. Alegria! Coste~no music hits the heartland, 1940-1950 -- Bogota and Medellin before Coste~no music -- The beginnings of Coste~no music in the Colombian interior -- Coste~no music : reaction and counterreaction -- Conclusion -- 6. The golden era of Coste~no music, and after -- "Al Ritmo Paisa" : the recording industry -- Changes in Coste~no music, 1950-1980 -- Conclusion -- 7. Coste~nos and Coste~no music in the interior : rejection and adaptation, 1950s-1980s -- Bogota : resistance -- Medellin : "more Costeno than La Costa"? -- The Coste~nos in Bogota and Medellin -- Ownership, embodiment, and identity -- 8. Multiculturalism and nostalgia : the 1990s -- Patterns of consumption in the 1990s -- Reviving old Coste~no music -- Coste~no music and Coste~no identity -- A "multicultural" nation -- Conclusion -- 9. Conclusion : writing about Colombian music -- Appendix A. List of interviewees -- Appendix B. Musical examples.
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- 系統號: 005074319
- 資料類型: 圖書
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Long a favorite on dance floors in Latin America, the porro, cumbia, and vallenato styles that make up Colombia's música tropical are now enjoying international success. How did this music—which has its roots in a black, marginal region of the country—manage, from the 1940s onward, to become so popular in a nation that had prided itself on its white heritage? Peter Wade explores the history of música tropical, analyzing its rise in the context of the development of the broadcast media, rapid urbanization, and regional struggles for power. Using archival sources and oral histories, Wade shows how big band renditions of cumbia and porro in the 1940s and 1950s suggested both old traditions and new liberties, especially for women, speaking to a deeply rooted image of black music as sensuous. Recently, nostalgic, "whitened" versions of música tropical have gained popularity as part of government-sponsored multiculturalism. Wade's fresh look at the way music transforms and is transformed by ideologies of race, nation, sexuality, tradition, and modernity is the first book-length study of Colombian popular music.
來源: Google Book
來源: Google Book
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