Global pop, local language
- 其他作者: Berger, Harris M., , Carroll, Michael Thomas,
- 出版: Jackson : University Press of Mississippi c2003.
- 稽核項: xxvi, 352 p.24 cm.
- 標題: Music and globalization. , History and criticism. , Popular music , Sociolinguistics. , Popular music History and criticism. , Musique populaire Histoire et critique. , Populaire muziek. , Musique et mondialisation. , Sprache , Musique et langage. , Histoire et critique. , Sociolinguistiek. , Music and language. , Popmusik , Musique populaire , Internationalisatie. , Sociolinguistique. , Aufsatzsammlung
- ISBN: 1578065364 , 9781578065363
- 附註: In part, originally published in Global popular music : the politics and aesthetics of language choice, a special issue of Popular music and society (v. 24.3, fall 2000). 101年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references. Introduction : The politics and aesthetics of language choice and dialect in popular music / Harris M. Berger -- Language choice, popular music, and globalization. Doin' damage in my native language : the use of "resistance vernaculars" in hip hop in France, Italy, and Aotearoa/New Zealand / Tony Mitchell. Language ideologies, choices, and practices in eastern African hip hop / Alex Perullo and John Fenn. "Goodbye my blind majesty" : music, language, and politics in the Indonesian underground / Jeremy Wallach. At the crossroads of languages, musics, and emotions in Kathmandu / Paul D. Greene and David R. Henderson -- Nation, region, and ethnicity in the politics of music and language. Mucho loco for Ricky Martin, or, The politics of chronology, crossover, and language within the Latin(o) music "boom" / Maria Elena Cepeda. Just for fun? : language choice in German popular music / Edward Larkey. The choices and contexts of local distinction : regional attachments and dialect in Chinese music / Sue Tuohy. "Ordinary words" : sound, symbolism, and meaning in Belarusan-language rock music / Maria Paula Survilla. Cockney rock / Dave Laing. "Raising one higher than the other" : the hierarchy of tradition in representations of Gaelic- and English-language song in Ireland / Anthony McCann and Lillis O Laoire -- Music and words : language choice and dialect in song and performance. "Trying to break it down" : MCs' talk and social setting in drum & bass performance / Morgan Gerard and Jack Sidnell. Singing Hawaiian and the aesthetics of (in)comprehensibility / C.K. Szego. "Chanter en yaourt" : pop music and language choice in France / Cece Cutler.
- 系統號: 005074263
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Cultural Studies -- Ethnomusicology Why would a punk band popular only in Indonesia cut songs in no other language than English? If you're rapping in Tanzania and Malawi, where hip hop has a growing audience, what do you rhyme in? Swahili? Chichewa? English? Some combination of these? Global Pop, Local Language examines how performers and audiences from a wide range of cultures deal with the issue of language choice and dialect in popular music. Related issues confront performers of Latin music in the U.S., drum and bass MCs in Toronto, and rappers, rockers, and traditional folk singers from England and Ireland to France, Germany, Belarus, Nepal, China, New Zealand, Hawaii, and beyond. For pop musicians, this issue brings up a number of complex questions. Which languages or dialects will best express my ideas? Which will get me a record contract or a bigger audience? What does it mean to sing or listen to music in a colonial language? A foreign language? A regional dialect? A "native" language? Examining popular music from a range of world cultures, the authors explore these questions and use them to address a number of broader issues, including the globalization of the music industry, the problem of authenticity in popular culture, the politics of identity, multiculturalism, and the emergence of English as a dominant world language. The chapters are written in a highly accessible style by scholars from a variety of fields, including ethnomusicology, popular music studies, anthropology, culture studies, literary studies, folklore, and linguistics. Harris M. Berger is associate professor of music at Texas A&M University. He is the author of Metal, Rock and Jazz: Perception and the Phenomenology of Musical Experience (1999). Michael Thomas Carroll is professor of English at New Mexico Highlands University. He is the author of Popular Modernity in America: Experience, Technology, Mythohistory (2000) and co-editor, with Eddie Tafoya, of Phenomenological Approaches to Popular Culture (2000).
來源: Google Book
來源: Google Book
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