From Filippo Lippi to Piero della Francesca :Fra Carnevale and the making of a Renaissance master
- 其他作者: Christiansen, Keith. , Pinacoteca di Brera. , Metropolitan Museum of Art (New York, N.Y.)
- 出版: New York :Milan :New Haven : Metropolitan Museum of Art ;Edizioni Olivares ;Yale University Press c2005.
- 稽核項: 384 p. :ill. (some col.) ;29 cm.
- 標題: New York <NY, 2005> , Art, Italian , Carnevale Fra. , Carnevale, fra, 15e siecle. , Art de la Renaissance Italie -- Urbino -- Expositions. , Carnevale , Art de la Renaissance Italie -- Florence -- Expositions. , Renaissance. , Carnevale, , Art, Renaissance Italy -- Exhibitions. , Schilderijen. , Art, Italian 15th century -- Exhibitions. , Urbino. , Carnevale, fra, 15th cent. Exhibitions. , Florenz. , Art de la Renaissance , Malerei. , Art, Renaissance
- ISBN: 0300107161 , 9780300107166
- 試查全文@TNUA:
- 附註: Published in conjunction with an exhibition held at the Pinacoteca di Brera, Milan, Oct. 13, 2004-Jan. 9, 2005 and at the Metropolitan Museum of Art, New York, Feb. 1-May 1, 2005. 101年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 364-377) and index. In search of Fra Carnevale, a "painter of high repute" / Emanuela Daffra -- Florence : Filippo Lippi and Fra Carnevale / Keith Christiansen -- Fra Carnevale, Urbino, and the Marches : an alternative view of the Renaissance / Andrea de Marchi -- Fra Carnevale and the practice of architecture / Matteo Ceriana -- Catalogue -- Fra Carnevale in Florence -- Fra Carnevale in Urbino and the Marches -- Biographies -- Documentary appendices -- Documents in the Florentine archives / Andrea di Lorenzo -- Documents in the Urbino archives / Matteo Mazzalupi -- Documents in the Barberini archives / Livia Carloni -- Technical essays -- Observations on the technique and artistic culture of Fra Carnevale / Roberto Bellucci and Cecilia Frosinini -- Carpentry and panel construction / Ciro Castelli and George Bisacca.
- 摘要: "In 1934 the Italian government lifted restrictions governing the fabled Barberini Collection in Rome, making it possible for two intriguing fifteenth-century paintings to be put on the international art market. Within just two years both had been sold - one to The Metropolitan Museum of Art and the other to the Museum of Fine Arts in Boston. Neither their authorship nor their subjects were certain, but their ambitious depiction of architecture no less than their discursive, anecdotal approach to narration made them unique among Early Renaissance paintings. Who was their author? What was their function? How to explain their mastery of perspective and their sophisticated architectural settings? Building on over a century of scholarship as well as completely new archival information, this catalogue proposes answers to all three questions. In doing so, it examines the art of Florence in the 1440s and the work of, among others, Fra Filippo Lippi, Domenico Veneziano, Luca della Robbia, and Michelozzo."--BOOK JACKET.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/toc/ecip054/2004028960.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0617/2004028960-b.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0617/2004028960-d.html
- 系統號: 005074012
- 資料類型: 圖書
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- 引用網址: 複製連結
In this fascinating book, Fra Carnevale—heretofore a mysterious, quasi-legendary figure—emerges as a well-defined and pivotal artist in Renaissance Florence. In presenting their case, the authors take the reader from the workshop of Filippo Lippi in Florence to Urbino, capital of Federico da Montefeltro’s duchy in the region of the Marches. It was a road most memorably traveled by Piero della Francesca, who worked in Florence in 1439 and became Federico’s favorite artist. This book shows that other lesser known artists like Fra Carnevale also took the same path. Among the many other artists—painters and sculptors—crucial to Fra Carnevale’s formation and discussed in this volume are Domenico Veneziano, Luca della Robbia, Pesellino, and Agostino di Duccio. Essays by Keith Christiansen, Andrea De Marchi, and Matteo Ceriana and a documentary appendix by Andrea Di Lorenzo and Matteo Mazzalupi transform our knowledge of this exciting moment in the history of Renaissance art.
來源: Google Book
來源: Google Book
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