資料來源: Google Book
Mediterranean Israeli music and the politics of the aesthetic
- 作者: Horowitz, Amy.
- 出版: Detroit : Wayne State University Press c2010.
- 稽核項: xvii, 251 p. :ill. ;23 cm. + 1 sound disc (digital ; 4 3/4 in.)
- 叢書名: Raphael Patai series in Jewish folklore and anthropology
- 標題: History and criticism. , Religious aspectsJudaism. , Religious aspectsIslam. , Music Mediterranean Region -- History and criticism. , Music Political aspects -- Israel. , Music , Music Religious aspects -- Judaism. , Music Religious aspects -- Islam. , Music Political aspects -- Mediterranean Region. , Music Israel. , Political aspects , Music Israel -- History and criticism.
- ISBN: 0814334652 , 9780814334652
- 附註: CD liner notes on p. 243-251; words of some of the songs printed as text, in Hebrew or Arabic with English translations (p. 197-219). 101年度教育部「獎勵大學教學卓越計畫」購藏. Includes bibliographical references (p. 221-229), discography (p. 231-232), videography (p. 233), and index. Cultural boundaries and disputed territories -- Relocation and the emergence of ethnicities -- The Mediterranean Israeli music phenomenon -- Sounding right: Zohar Argov --The posthumous consecration of Zohar Argov -- Transgressing boundaries: Zehava Ben -- Disputing territories. CD: Medley : Passover Kiddush (Yemenite, Moroccan, and Sephardi) ; Inta 'umri ; My Yiddische mama (3:26) -- Mal'u asamenu bar (1:47) -- Na`aleh (4:10) -- Hameleh hitbalbelah (2:44) -- Homot hemar (4:53) -- Ezo medinah (4:10) -- Elinor (4:15) -- Hekhan he-hayal (4:46) -- Gevarim bokhim ba-lailah (5:32) -- Ya mehija (4:46) -- Barkhenu (4:46) -- Ha-Perah be-gani (3:43) -- Baladah le-haver (4:18) -- Linda, Linda (3:32) -- Keturna masala (5:32) -- Tipat mazal (4:32) -- Mi-Mosheh ve-`ad Muhamed (3:33) -- Inta 'umri (3:05) -- Tefila shel aba (4:45)
- 系統號: 005074914
- 資料類型: 視聽(聲音)
- 讀者標籤: 需登入
- 引用網址: 複製連結
"An ethnographic study of the emergence of a pan-ethnic style of music in Israel between the mid-1970s and mid-1990s. This two-decade period encompasses the coming of age of the Middle Eastern and North African creators of the grassroots music network in the 1970s and the sea change in the music's reception by mainstream Israeli society in the 1990s.
來源: Google Book
來源: Google Book
評分