摘要:Three screenwriters discuss how they write dialogue for movies. This program teaches text and subtext, conveying emotion of the characters and the situations they are in, research, rewriting dialogue, character profiling and specificity of vision. Subjects covered include: how to condense a good scene; should a movie have one voice; description minimizing dialogue; is there magic in description or should it simply be clear; how to persuade executives to read your description.
