'Relationships between human creativity, natural growth and industrial production are at the heart of Roxy Paine's body of work, surveyed here for the first time by critic Eleanor Heartney. It includes stainless steel Dendroids, treelike sculptures installed in urban or sylvan environments; hand-fabricated Replicants uncannily mimicking plant life and elaborate machines that simulate human-art making and natural erosion. Together they serve - often with doses of black humour - as vehicles to consider profound dilemmas we face in a future where nature and technology inextricably are fused'. From the book jacket.
來源: Google Book