資料來源: Google Book

Art and patronage in the medieval Mediterranean :merchant culture in the region of Amalfi

  • 作者: Caskey, Jill,
  • 出版: Cambridge : Cambridge University Press 2011.
  • 稽核項: xiv, 327 p. :ill., maps ;26 cm.
  • 標題: Art, Italian , Merchants , Merchants Italy -- Amalfi Region , Art, Medieval , Art, Medieval Italy -- Amalfi Region , Art patronage , Art patronage Italy -- Amalfi Region , Art, Italian Italy -- Amalfi Region
  • ISBN: 0521284260 , 9780521284264
  • 附註: Includes bibliographical references (p. 243-322) and index.
  • 摘要: An important trade centre in the Medieval Mediterranean, Amalfi and the surrounding region of southern Italy sustained strong art production and patronage from the eleventh through to the thirteenth centuries. Merchant patrons realised a wide variety of religious and residential complexes that were evocative of Byzantine, Islamic, Western, and local traditions. With the rise of the Angevin kingdom, a demise of this eclectic art tradition took place and by the fourteenth century, Amalfitan painting and sculpture reflected compromises between local and Neapolitan styles, demonstrating the erosion of its autonomy. Originally published in 2004, this book evaluates the Amalfitan art production in terms of moral, economic, and social structures, including investment strategies, anxieties about wealth and salvation, and southern Italy's diverse religious communities. Historiographical analyses and postcolonial models of interpretation offer further insight into Amalfitan art and its shifting relationship to the sovereign authorities in southern Italy.
  • 系統號: 005081750
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
An important trade center in the medieval Mediterranean, Amalfi and its surrounding regions sustained impressive art production and patronage from the eleventh through thirteenth centuries. With the rise of the Angevin kingdom, however, a demise of Amalfi's eclectic art tradition took place and, by the fourteenth century, its painting and sculpture reflected compromises between local and Neapolitan styles, demonstrating the erosion of its autonomy.
來源: Google Book
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