The fervent years :the Group Theatre and the thirties
- 作者: Clurman, Harold,
- 出版: New York : Da Capo Press [1983] c1975.
- 稽核項: xi, 329 p., [10] p. of plates :ill. ;21 cm.
- 叢書名: A Da Capo paperback
- 標題: Clurman, Harold, 1901-1980. , Theater , Group Theatre (U.S.) , History , Clurman, Harold, , Theater United States -- History -- 20th century.
- ISBN: 0306801868 , 9780306801860
- 試查全文@TNUA:
- 附註: Reprint. Originally published: New York : Harcourt Brace Jovanovich, 1975. Includes index. Seeds -- Beginners -- Second wind -- Consummation -- New phase -- Farewell to the thirties.
- 摘要: The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.--From publisher description.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0833/82025239-b.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0833/82025239-d.html
- 系統號: 005080726
- 資料類型: 圖書
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- 引用網址: 複製連結
The Group Theatre was perhaps the most significant experiment in the history of American theater. Producing plays that reflected topical issues of the decade and giving a creative chance to actors, directors, and playwrights who were either fed up with or shut out of commercial theater, the "Group" remains a permanent influence on American drama despite its brief ten-year life. It was here that method acting, native realism, and political language had their tryouts in front of audiences who anticipated--indeed demanded--a departure from the Broadway "show-biz" tradition. In this now classic account, Harold Clurman, founder of the Group Theatre and a dynamic force as producer-director-critic for fifty years, here re-creates history he helped make with Lee Strasberg, Elia Kazan, Irwin Shaw, Clifford Odets, Cheryl Crawford, Morris Carnovsky, and William Saroyan. Stella Adler contributed a new introduction to this edition which remembers Clurman, the thirties, and the heady atmosphere of a tumultuous decade.
來源: Google Book
來源: Google Book
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