資料來源: Google Book

The sinophone cinema of Hou Hsiao-Hsien :culture, style, voice, and motion

  • 作者: Lupke, Christopher,
  • 出版:
  • 稽核項: xviii, 375 pages :illustrations ;24 cm.
  • 叢書名: Cambria sinophone world series , Cambria contemporary global performing arts series
  • 標題: Hou, Xiaoxian, , 批評, 解釋等 , Criticism and interpretation. , 侯孝賢 批評, 解釋等 , 侯孝賢 , Hou, Xiaoxian, 1947- Criticism and interpretation.
  • ISBN: 1604979135 , 9781604979138
  • 附註: Includes bibliographical references (pages 339-358) and index. Includes filmography. The odyssey of Hou Hsiao-Hsien: an overview -- Zhu Tianwen and the sotto voce of gendered expression in Summer at grandpa's -- Comparing Hou Hsiao-Hsien and Ozu Yasujiro: anti-filial conduct and the emergence of individual identity -- The muted interstices of testimony: a City of sadness and the predicament of multiculturalism -- Time and teleology in Hou's films of quest and disillusionment -- What is said and left unsaid in Flowers of Shanghai -- Hou Hsiao-Hsien: interviews and dialogues.
  • 系統號: 005085562
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
"Featuring rare interviews and sophisticated analysis, this book sheds light on Hou's narrative innovations and aesthetic triumphs while, along the way, unlocking some of the mysteries lurking behind one of the greatest bodies of cinematic work ever produced." -MICHAEL BERRY, University of California Santa Barbara "Lupke's book provides comprehensive coverage, detailed contextualization, and insightful analysis from Hou's earliest works to his most recent accomplishment. The narrative is particularly compelling because it weaves cultural and social contexts and filmic texts together, and it brings various formal elements (image, editing, language, music) to bear upon one another. The book also includes careful comparison with another East Asian auteur Ozu Yasujiro. The Sinophone Cinema of Hou Hsiao-hsien is a significant addition." -GUO-JUIN, HONG, Duke University "Lupke's comprehensive and original study excavates the literary inspirations of Hou's filmmaking, showing how Wu Nianzhen, Shen Congwen, and especially Zhu Tianwen shape his philosophy and aesthetic. In Lupke's convincing account, the anti-filial behaviors of their characters, which have attracted little critical attention, are the key to understanding their shared concern for the visible dissolution of the family in the modern world. In addition to its lucid analysis, this book contextualizes the filmmaking history of Hou in ways that illustrate the cultural and political significance of studying Taiwan Cinema in a global context." -HSIU-CHUANG DEPPMAN, Oberlin College "Serving both as an excellent comprehensive introduction to the filmmaker and as a series of in-depth readings, this informative, engaging, and insightful book covers the full range of Hou's work. Writing clearly and elegantly, Lupke perceptively relates Hou's films to both literary and cinematic antecedents. Aside from Hou's well-known connection to Taiwan's 'native soil' literature, Lupke highlights as well the filmmaker's debt to earlier mainland Chinese authors such as Shen Congwen, Zhang Ailing, and Hu Lancheng. Hou's singular contribution to film aesthetics, summarized as 'stasis within motion, ' comes through vividly and convincingly." -JASON MCGRATH, University of Minnesota *This book includes images. See www.cambriapress.com/books/9781604979138.cfm to read excerpts and for more information."
來源: Google Book
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