Screen/space :the projected image in contemporary art
- 其他作者: Trodd, Tamara Jane.
- 出版: Manchester, UK ;New York : Manchester University Press 2011.
- 稽核項: xii, 214 p. :ill. ;24 cm.
- 叢書名: Rethinking art's histories
- 標題: Video art.
- ISBN: 0719084636 , 9780719084638
- 試查全文@TNUA:
- 附註: Rooms of our time: Laszlo Moholy-Nagy and the stillbirth of multi-media museums / Noam M. Elcott -- 'Festival' and 'museum' in modernist film histories / Maxa Zoller -- The matter of illusionism: Michael Snow's screen/space / Kate Mondloch -- Projecting symptoms / Joanna Lowry -- 'You've got me under your spell': the entranced spectator / Maria Walsh -- Screen eroticisms: exploring female desire in the work of Carolee Schneemann and Pipilotti Rist / Amelia Jones -- Windows in the white cube / Andrew V. Uroskie -- Inside the film-machine: architecture and apparatus in British women's film since the 1990s / Tamara Trodd -- The projective shift between installation art and new media art: from distantiation to connectivity / Christine Ross. Includes bibliographical references and index.
- 摘要: "Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections - 'Histories', 'Screen', 'Space' - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks."--pub. desc.
- 電子資源: Inhaltsverzeichnis
- 系統號: 005088992
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Projected-image art occupies an increasingly important place in the contemporary art-world. But does the projected image have its own specificity, beyond the histories of experimental film and video on the one hand, and installation art on the other? What is a projected image, and what is the history of projected-image art? These questions and others are explored in this thoughtful collection of nine essays by leading international scholars of film and projected-image art. Clearly structured in three sections – "Histories," "Screen," "Space" -- the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches. The contributors explore a range of interpretive perspectives, offering new insights into the work of artists including Michael Snow, Carolee Schneemann, Pipilotti Rist, Stan Douglas, Gillian Wearing, Tacita Dean, Jane and Louise Wilson, amongst others. The Introduction supplies a concise summary of the history of projected-image art and its interpretation, and there is a focus throughout the book on detailed analysis of individual artworks.
來源: Google Book
來源: Google Book
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