American music :a panorama

• 作者: Candelaria, Lorenzo F.
• 其他作者: Kingman, Daniel.
• 出版: Belmont, CA : Thomson/Schirmer c2007.
• 版本: 3rd concise ed.
• 稽核項: xvii, 364 p. :ill. ;24 cm.
• 標題: History and criticism. , USA , Muziek. , Music , Geschichte , Music United States -- History and criticism. , Musik
• ISBN: 0495128392 , 9780495128397
• 附註: Includes bibliographical references (p. 331-337) and index. Author's guide to the Panorama of American music -- pt. I. Folk and ethnic musics -- 1. The Anglo-Celtic-American tradition -- Imported ballads -- "Barbara Allen" (H.J. Beeker) -- Features common to most ballads -- Naturalized ballads -- "Gypsy Davy" (Woody Guthrie) -- Native ballads -- "John Hardy" (The Carter Family) -- Print and the ballad -- Fiddle tunes -- "Soldier's joy" (Marion Sumner) -- Print and the fiddle tune -- Play-party songs -- "Old man at the mill" (Clint Howard, Fred Price, Doc Watson) -- Projects -- Additional listening -- 2. The African American tradition -- African music and its relation to black music in America -- "Music in praise of a Yoruba Chief" (Nigeria) -- Religious folk music : the spiritual -- "Sheep, sheep, don't you know the road" (Bessie Jones, Sea Island Singers) -- "Jacob's ladder" (Paul Robeson) -- Secular folk music -- "Quittin' time song" (Samuel Brooks) -- "John Henry" (Arthur Bell) -- Projects -- Additional listening -- 3. The American Indian tradition -- Music in Indian life -- The existential quality of songs -- Types of songs according to purpose -- "Pigeon's dream song" (Louis Pigeon, vocal ; Menominee, Northern Plains) -- "Cherokee/creek stomp dance" (Eastern Woodlands) -- "Butterfly dance" (an Juan Pueblo, New Mexico) -- "Sioux love song" ( John Coloff, flute & vocal ; Lakota Plains) -- Characteristics of Indian music -- Indian Music and acculturation -- "Ghost dance song" (Pawnee Plains) -- "Rabbit dance" (Los Angeles Northern Singers) -- Projects -- Additional listening -- 4. Latino traditions -- The legacy of the Spanish conquest -- Sacred music from Mexico -- "Al Pie de Este Santo Altar" (Luis Montoya, vocal ; Vincente Padilla, pito) --"Los Pastores" from Las Posadas (Franquilino Miranda and group) -- Secular music from Mexico -- "Las Abaje~nas" (Mariachi Cobre) -- "El Corrido de Gregorio Cortez" (Los Hermanos Banda) -- "Mal Hombre" (Lydia Mendoza) -- The Caribbean and South America -- "Para los Rumberos" (Tito P pt. II. Three offspring of the rural South -- 7. Country music -- Enduring themes -- The "country sound" -- Commercial beginnings : early recordings, radio, and the first stars -- Jimmy Rodgers : the father of country music -- "Muleskinner blues" (Jimmy Rodgers) -- The West : cowboys, honky-tonks, and Western swing -- "Cotton-eyed Joe" (Bob Willis and His Texas Playboys) -- Postwar dissemination and full-scale commercialization -- "I'm so lonesome I could cry" (Hank Williams) -- "I'm blue again" (Patsy Cline) -- "Blue eyes crying in the rain" (Willie Nelson) -- The persistence and revival of traditional styles -- "Muleskinner blues" (Bill Monroe and His Blue Grass Boys) -- "John Henry" (The Lilly Brothers) -- Projects -- Additional listening -- 8. The blues -- Characteristics of the blues -- "Countin' the blues" (Ma Rainey and Her Georgia Jazz Band) -- "Prison cell blues" (Blind Lemon Jefferson) -- "Preachin' blues (Up jumped the devil)" (Robert Johnson) -- Early published blues -- Classic blues -- Blues and jazz -- Boogie-woogie -- "Mr. Freddie Blues" (Meade "Lux" Lewis) -- Selling the country blues -- Urban blues -- Blues at the turn of the century -- "Texas flood" (Stevie Ray Vaughn) -- Projects -- Additional listening -- 9. Rock music -- Rock's ties to rhythm and blues -- "Good rockin' tonight" (Wynonie Harris) -- "Rock around the clock" (Bill Haley and His Comets) -- Reaching white audiences -- The influence of country music -- "That's all right" (Elvis Presley) -- Trends from the 1960s to the present -- "Good vibrations" (The Beach Boys) -- "The star-spangled banner (Live at Woodstock)" (Jimi Hendrix) -- "Eruption" (Van Halen) -- "Sheena is a punk rocker" (The Ramones) -- Projects -- Additional listening -- pt. III. Popular sacred music -- 10. From psalm tune to rural revivalism -- Psalmody in America -- "Amazing grace" (Congregation of the Old Regular Baptist Church) -- The singing-school tradition -- "Chester" (The Old Sturbridge Singers) -- "Amity" (the Old Sturbridge Singers) -- The frontier and rural America in the nineteenth century -- "Wondrous love" (anonymous) -- Music among smaller independent American sects -- "'Tis the gift to be simple" (The United States of Shakers) -- Projects -- Additional listening -- 11. Urban revivalism and gospel music -- Urban revivalism after the Civil War : the Moody-Sankey era of gospel hymns -- "In the sweet by-and-by" (The Harmoneion Singers) -- The Billy Sunday-Homer Rodeheaver era : further popularization -- "Brighten the corner where you are" (Homer Rodeheaver) -- Gospel music after the advent of radio and recordings -- "Give the world a smile" (The Stamps Quartet) -- "He got better things for you" (Memphis Sanctified Singers) -- "Swing down, chariot" (Golden Gate Quartet) -- Projects -- Additional listening -- pt. IV. Popular secular music -- 12. Secular music in the cities from colonial times to the age of Andrew Jackson -- Concerts and dances -- "The college hornpipe" (Rodney Miller) -- Bands and military music -- "Lady Hope's reel" (American Fife Ensemble) -- "Washington's march" (The Liberty Tree Wind Players) -- Musical theater -- "Chorus of adventurers" from the Indian princess (Federal Music Society Opera) -- Popular song -- "Junto song" (Seth McCoy) -- Projects -- Additional listening -- 13. Popular musical theater and opera from the Jacksonian era to the present -- Minstrelsy and musical entertainment before the Civil War -- "De boatman's dance" (Ensemble) -- From the Civil War through the turn of the century -- "The Yankee doodle boy" (Richard Perry) -- The first half of the twentieth century -- The musical in its maturity : Show boat to West side story -- "Cool" West side story (original Broadway cast) -- The musical since West side story -- Opera in America -- "It ain't necessarily so" (Lawrence Tibbett) -- Projects -- Additional listening -- 14. Popular song, dance, and march music from the Jacksonian era to the advent of rock -- Popular song from the 1830s through the Civil War -- "Get off the track" (The Hutchinson Family Singers) -- "Hard times come again no more" (The Hutchinson Family Singers) -- "The battle cry of freedom" (George Shirley) -- Popular song from the Civil War through the ragtime era -- The band in America after the Jacksonian era -- "The Washington Post march" (Advocate Brass Band) -- Popular song from ragtime to rock -- "Brother, can you spare a dime?" (Bing Crosby) -- Tin Pan Alley and its relation to jazz and black vernacular music -- The decline of Tin Pan Alley and the dispersion of the popular music industry -- Projects -- Additional listening -- pt. V. Jazz and its forerunners -- 15. Ragtime and precursors of jazz -- The context of ragtime from its origins to its zenith -- "Hello! My baby" (Don Meehan, Dave Corey) -- The musical characteristics of ragtime -- "Maple leaf rag" (Scott Joplin) -- The decline and dispersion of ragtime -- "If dreams come true" (James P. Johnson) -- The ragtime revival -- Precursors of jazz -- "Eternity" (Eureka Brass Band) -- "Just a little while to stay here" (Eureka Brass Band) -- Projects -- Additional listening -- 16. Jazz -- The New Orleans style : the traditional jazz of the early recordings -- "Dippermouth blues" (King Oliver's Creole Jazz Band) -- "Hotter than that" (Louis Armstrong and His Hot Five) -- Dissemination and change : before the swing era -- The swing era and the big bands -- "Ko-ko" (Duke Ellington and His Orchestra) -- The emergence of modern jazz : bop as a turning point -- "Koko" (Charlie Parker) -- "Out of this world" (John Coltrane) -- The pluralism of the last quarter-century -- "Bitches brew" (Miles Davis) -- Projects -- Additional listening -- pt. VI. Classical music -- 17. The search for an American identity -- Music education before the Civil War -- Music education and culture after the mid-nineteenth century -- "Pawnee horses," Arthur Farwell (Dario Muller) -- American music and American life -- Rhapsody in blue, George Gershwin (Oscar Levant) -- Afro-American symphony, William Grant Still (Fort Smith Symphony) -- Appalachian spring, Aaron Copland (New York Philharmonic) -- America's virtuoso cult -- "The banjo," Louis Gottschalk (Eugene List) -- "The battle of Manassas," Thomas Wiggins (John Davis) -- Projects -- Additional listening -- 18. Twentieth-century innovation and the contemporary world -- Charles Ives : American innovator in music -- Four New England holidays, Charles Ives (Chicago Symphony Orchestra) -- New York and Europe-related "modernism" -- Hyperprism, Edgard Varese (Columbia Symphony Orchestra) -- Midcentury modernism -- The West coast : Cowell, Harrison, and Partch -- "The Banshee" (Henry Cowell) -- New technology and the new music -- Minimalism -- Piano phase (Steve Reich) -- Multimedia art and concept music -- Classical music and the contemporary world -- The bushy wushy rag, Philip Bimstein (Equinox Chamber Players) -- Projects -- Additional listening -- 19. Film music -- A realistic film of the American west -- Two films about the small town and the big city -- Three career film composers -- "The murder" Psycho, Bernard Herrmann (Los Angeles Philharmonic) -- "The imperial march" Star Wars, John Williams (London Symphony Orchestra) -- Epilogue -- Projects -- Additional listening -- pt. VII. Music in your own backyard -- 20. Tales of two cities : Austin, Texas, and Sacramento, California -- Classical music in Austin, Texas : aspects from the 1930s to World War I -- The Sacramento Valley : a rich mix of cultures -- Projects -- References -- Glossary -- Photo credits -- Index.
• 系統號: 005088071
• 資料類型: 圖書
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• 引用網址: 複製連結
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