資料來源: Google Book

Japanese and Hong Kong film industries :understanding the origins of East Asian film networks

  • 作者: Qiu, Shuting.
  • 出版: London ;New York, NY : Routledge 2010.
  • 稽核項: xxiii, 258 p. :ill. ;24 cm.
  • 叢書名: Routledge studies in the modern history of Asia (2005) ;57
  • 標題: Motion pictures , Geschichte 1930-1979. , Filmwirtschaft. , Motion picture industry Japan -- History -- 20th century. , Hongkong. , Motion pictures China -- Hong Kong -- History -- 20th century. , Motion pictures Japan -- History -- 20th century. , Motion picture industry China -- Hong Kong -- History -- 20th century. , Filmproduktion. , Ostasien. , Motion picture industry , China. , Japan. , History
  • ISBN: 0415666244 , 9780415666244
  • 試查全文@TNUA:
  • 附註: Includes index. Hong Kong and Japanese cinemas before and during wartime. Connections before the war -- Exhibition of Japanese movies in Hong Kong -- Ideas of importing Japanese technologies and the relevant activities -- Significance of Hong Kong as an anti-Japanese foundation -- KMT's prohibition against Cantonese filmmaking -- Anti-Japanese activities of Shanghai filmmakers in Hong Kong -- Hong Kong cinema under Japanese occupation -- Japanese army's view on Hong Kong cinema -- Japanese movies produced in Hong Kong during the occupation -- Exile of Chinese artists and its significance -- Connection between Chinese and Japanese cinemas initiated by Zhonghua dianying. Story of Zhonghua dianying from 1939 to 1945 -- Controversy over Zhonghua dianying -- Disagreements between Japanese army and filmmakers -- Different views towards the export of Japanese movies -- Designs and actions of Kawakita Nagamasa -- Characteristics of Shanghai cinema -- Experiences Shanghai intellects gained from Japanese movies -- Significance of Xin Yingtan -- Exhibition of Japanese movies in the old concessions -- Japanese views on Shanghai movies -- Inferior technology -- Animation and horror -- Significance of wartime co-productions -- Succession of movies of mainland China -- From eternity to remorse in Shanghai -- Immediate causes of Hong Kong-Japan collaboration. Hong Kong cinema under the division between left and right -- Confrontation between leftists and rightists in post-war Hong Kong cinema -- Ideas and actions of Zhang Shankun. Includes bibliographical references and indexes.
  • 電子資源: Inhaltsverzeichnis
  • 系統號: 005088397
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Drawing on first-hand materials collected from the Chinese and Japanese literature as well as interviews with more than twenty filmmakers and scholars Kinnia Shuk-ting Yau provides a solid historical account of the complex interactions between Japanese and Hong Kong film industries from the 1930s to 1970s. The author describes in detail how Japan’s efforts during the 1930s and 1940s to produce a "Greater East Asian cinema" led to many different kinds of collaborations between the filmmakers from China, Hong Kong and Japan, and how such development had laid the foundation for more exchanges between the cinemas in the post-war period. The period covered by the book is the least understood period of the East Asian film history. Filling the gaps surrounding one of the most important but least understood periods of Asian film history this books discusses facts and resources once obscured by controversial issues related to wartime affairs with new insights and perspectives. This book is an invaluable source of information for understanding how the current East Asian film networks came into existence by looking beyond conventional single-case studies and adopting a transnational perspective in tracing the connections between different film industries.
來源: Google Book
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