Re-framing the theatrical :interdisciplinary landscapes for performance
- 作者: Oddey, Alison,
- 出版: New York, N.Y. : Palgrave Macmillan 2007.
- 稽核項: xii, 251 p. :ill. ;23 cm.
- 標題: Performing arts , Performing arts Philosophy. , Kunste. , Philosophy. , Theater.
- ISBN: 0230524656 , 9780230524651
- 試查全文@TNUA:
- 附註: Includes bibliographical references (p.236-238) and index. Reframing -- Director-creator-collaborator: devising and technology -- 'It's about the cross-over': cross-art performance -- Re-thinking the theatrical frame: the opera director, video artist, and visual arts -- Landscapes for performance: the geographies of Deborah Warner -- Angels, soul and rebirth -- Narratives of the city, interpretations of director, reflections of spectator -- The art of sound: auditory directions -- Performing silence.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0708/2006051571-b.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0708/2006051571-d.html https://dbs.tnua.edu.tw/login?url=http://catdir.loc.gov/catdir/enhancements/fy0708/2006051571-t.html
- 系統號: 005089012
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Alison Oddey takes us on a spectator's journey engaging with art forms that cross boundaries of categorization. She questions the role of the spectator and director, including interviews with Deborah Warner; the nature of art works and performance with artists Heather Ackroyd, Dan Harvey and Graeme Miller. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic Twenty-First century landscape.
來源: Google Book
來源: Google Book
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