資料來源: Google Book
Get real :documentary theatre past and present
- 其他作者: Forsyth, Alison, , Megson, Christopher.
- 出版: Houndmills, Basingstoke, Hampshire [England] ;New York : Palgrave Macmillan 2011.
- 版本: Pbk. ed.
- 稽核項: xix, 256 p ;22 cm.
- 叢書名: Performance interventions
- 標題: Political aspects. , Theater , Political plays , Political plays History and criticism. , History and criticism. , Anthropological aspects. , Theater Anthropological aspects. , Theater Political aspects. , Theater and society. , Reality in literature.
- ISBN: 0230336892 , 9780230336896
- 附註: Originally published in hardback: 2009. With new preface. 103年科技部補助人文及社會科學研究圖書設備計畫規劃主題:藝術學:全球化與劇場跨界 Includes bibliographical references and index.
- 摘要: "Over the past two decades, theatre practioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection, now in paperback for the first time and with a new Preface, raises provocative questions about documentary theatre's relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment, globalisation and postmodernity, and explores its past and potential contribution within the public sphere."-- Cover p. [4].
- 系統號: 005089143
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives that elaborate its impact and significance today. Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection, now in paperback for the first time and with a new Preface, raises provocative questions about documentary theatre's relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment, globalisation and postmodernity, and explores its past and potential contribution within the public sphere.
來源: Google Book
來源: Google Book
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