資料來源: Google Book
New Chinese cinemas :forms, identities, politics
- 其他作者: Browne, Nick.
- 出版: Cambridge ;New York, NY, USA : Cambridge University Press [1996], ©1994.
- 稽核項: xiii, 255 pages :illustrations ;23 cm.
- 標題: Motion pictures , Motion pictures Taiwan. , Motion pictures China -- Hong Kong. , Motion pictures China.
- ISBN: 0521448778 , 9780521448772
- 附註: c.2為102年國科會補助人文及社會科學研究圖書設備計畫主題:藝術學:華語電影研究. c.3為旅美舞蹈家王仁璐教授2016年捐贈. Includes bibliographical references and index. Spatiality and subjectivity in Xie Jin's film melodrama of the new period / Ma Ning -- Society and subjectivity : on the political economy of Chinee melodrama / Nick Browne -- Huang Jianxin and the notion of postsocialism / Paul G. Pickowicz -- Neither one thing nor another : toward a study of the viewing subject and Chinese cinema in the 1980s / Chris Berry -- Remapping Taipei / Fredric Jameson -- The ideology of initiation : the films of Hou Hsiao-hsien / William Tay -- The return of the father : Hong Kong new wave and its Chinese context in the 1980s / Li Cheuk-to -- Border crossing : mainland China's presence in Hong Kong cinema / Esther Yau -- Two films from Hong Kong : parody and allegory / Leo Ou-fan Lee.
- 系統號: 005251875
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
New Chinese Cinemas analyses the changing forms and significance of filmmaking in the People's Republic of China, Taiwan, and Hong Kong since the end of the Cultural Revolution, with a particular emphasis on how film comments on the profound social changes that have occurred in East Asia over the past two decades. Considering in detail both conservative and progressive stances on economic 'modernisation', it also demonstrates how film has been an important formal structure and social document in the interpretation of these changes. The essays collected here, which were specially commissioned for this volume, also offer extended analyses of the important trends, styles and work that define Chinese filmmaking in the 1980s.
來源: Google Book
來源: Google Book
評分