資料來源: Google Book
Making music for modern dance :collaboration in the formative years of a new American art
- 其他作者: Teck, Katherine.
- 出版: New York : Oxford University Press c2011.
- 稽核項: xxx, 366 p. :ill. ;24 cm.
- 標題: Modern dance United States -- History -- 20th century , Modern dance , Modern dance music United States -- 20th century -- History and criticism , History and criticism , Modern dance music , History
- ISBN: 0199743215 , 9780199743216
- 附註: Includes bibliographical references (p. [357]-359) and index. Part 1 : Musical collaboration for a new era in dance. Overview : the question of using old music for new dance -- How to revive dancing : music and the dancer / E?mile Jaques-Dalcroze -- Dancing to Beethoven's Seventh symphony / Isadora Duncan -- Music for Isadora Duncan's dance / Baird Hastings -- The dance poems of Michio Ito : The white peacock, to music by Griffes / Helen Caldwell -- The Denishawn aesthetic : America and the dance, music visualization / Denishawn program -- On dancing to Bach : Humphrey-Weidman programs / Norman Cazden -- American music and composers : what dancers need / Ted Shawn.
- 系統號: 005091538
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Making Music for Modern Dance traces the collaborative approaches, working procedures, and aesthetic views of the artists who forged a new and distinctly American art form during the first half of the 20th century. The book offers riveting first-hand accounts from innovative artists in the throes of their creative careers and provides a cross-section of the challenges faced by modern choreographers and composers in America. These articles are complemented by excerpts from astute observers of the music and dance scene as well as by retrospective evaluations of past collaborative practices. Beginning with the careers of pioneers Isadora Duncan, Ruth St. Denis, and Ted Shawn, and continuing through the avant-garde work of John Cage for Merce Cunningham, the book offers insights into the development of modern dance in relation to its music. Editor Katherine Teck's introductions and afterword offer historical context and tie the artists' essays in with collaborative practices in our own time. The substantive notes suggest further materials of interest to students, practicing dance artists and musicians, dance and music history scholars, and to all who appreciate dance.
來源: Google Book
來源: Google Book
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