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Musical form and transformation :four analytic essays

Foreword, by Ed Gollin Introduction 1. Serial Transformation Networks in Dallapiccola's ""Simbolo"" 2. Making and Using a Pcset Network for Stockhausen's Klavierstuck III 3. Set Theory, Derivation, and Transformational Structures in Analyzing Webern's Opus 10, Number 4 4. A Transformational Basis for Form and Prolongation in Debussy's ""Feux d'Artifice"" References Index.
來源: Google Book
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