Visual theory :painting and interpretation
- 其他作者: Bryson, Norman, , Holly, Michael Ann. , Moxey, Keith P. F.,
- 出版: Cambridge [Cambridgeshire] : Polity Press 1991.
- 稽核項: ix, 286 p. :ill., map ;24 cm.
- 標題: Painting.
- ISBN: 0745606601 , 9780745606606
- 附註: Includes bibliographical references and index. Women, art, and power / Linda Nochlin -- Will (s)he stoop to conquer? Preliminaries toward a reading of Edward Hopper's Office at night / Ellen Wiley Todd -- Linda Nochlin's 'Women, Art, and Power' / Ludmilla Jordanova -- Semiology and visual interpretation / Norman Bryson -- Reflections on Bryson / Stephen Melville -- Using language to do business as usual / Rosalind Krauss -- The politics of arbitrariness / Norman Bryson -- What the spectator sees / Richard Wollheim -- Painting after art? : Comments on Wollheim / Flint Schier -- Richard Wollheim's 'Seeing-In' and 'Representation' / Martin Kelly -- Depiction and the golden calf / Michael Podro -- Poussin and the rhetoric of Depiction : a response to Michael Podro / Timothy Erwin -- Description and the phenomenology of perception / Arthur C. Danto -- Minding the animals : or, can pigeons be hopeful? / Martin Donogho -- The aesthetics of indiscernibles / Garry Hagberg. Real metaphor : towards a redefinition of the 'conceptual' image / DavidSummers -- On the critical value of categories : a response to David Summers / David Radcliffe -- Real artefacts : a comment on 'Conceptual Art' / Shelly Errington.
- 系統號: 005100899
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.
來源: Google Book
來源: Google Book
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