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The late baroque era :from the 1680s to 1740

  • 其他作者: Buelow, George J.
  • 出版: Englewood Cliffs, N.J. : Prentice Hall 1994, c1993.
  • 版本: 1st North American ed.
  • 稽核項: xii, 521 p. :ill., facsims., ports. ;25 cm.
  • 叢書名: Music and society
  • 標題: Music , History and criticism. , Music and society. , Music 18th century -- History and criticism. , Music 17th century -- History and criticism.
  • ISBN: 0131043404 , 9780131043404
  • 附註: "Originally conceived in conjunction with a serise of television programmes of which the first was shown by Granada Television International and Channel 4 in 1986"--Pref. Includes bibliographical references and index. Music and society in the late Baroque era / George J. Buelow -- Rome : the power of patronage / Malcolm Boyd -- Venice in an era of political decline / Eleanor Selfridge-Field -- Naples : a city of entertainment / Carolyn Gianturco -- Paris and Versailles / Julie Anne Sadie -- Hamburg and Lubeck / George J. Buelow -- Dresden in the age of absolutism / George J. Buelow -- Brandenburg-Prussia and the central German courts / Bernd Baselt -- Leipzig : a cosmopolitan trade centre / George B. Stauffer -- Courts and monasteries in Bavaria / Robert Munster -- Vienna under Joseph I and Charles VI / Susan Wollenberg -- London : commercial wealth and cultural expansion / Donald Burrows -- The Dutch Republic / Rudolf Rasch -- The Iberian Peninsula / Louise K. Stein -- Warsaw, Moscow and St. Petersburg / Milos Velimirovic.
  • 系統號: 005102884
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
"Music and Society is a series of eight books, designed to present music in a broad context of socio-political, economic, intellectual and religions life. In place of the technical and stylistic discussions that make up most histories of music, the reader will find music considered rather as a series of responses to social forces; the idea is not to explain simply what happened, but why it happened, and why it happened when and where it did." "The present volume, edited by George J. Buelow, examines music of the period usually defined as the late Baroque. Spanning historical developments taking place from approximately 1680 to around the 1740s, the chapters are focussed on the major musical centres in the great cities at the beginning of the 18th century, such as London, Paris, Leipzig, Vienna, Venice, Rome and Naples, and on major regions of economic and social development as found, for example, in Spain and Portugal Bavaria, the Low Countries, and Eastern Europe. As a continuation of cultural processes begun at the start of the 17th century, the 'late Baroque' is a period largely of re-examination and development of forms and styles already established. The essays here thus examine the results of the political and social forces stimulating and shaping the extraordinary outpourings of music not only for the major courts and churches of Europe but also for the culturally sophisticated middle classes. The greater part of this music has its roots in the 17th century, particularly in the spectacular rise of opera. Viewed from one perspective the music of the late Baroque can be seen to unfold through the impact of operatic styles and forms on all music, sacred and secular." "Dr Buelow's opening chapter provides an introductory view of the origins of the late Baroque, its systems of patronage, the focus on style as a source of creativity and the singular development of instrumental music; in conclusion, it comments on the legacy of the late Baroque for musical influences in the 20th century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
來源: Google Book
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