資料來源: Google Book
Monumentality in early Chinese art and architecture
- 作者: Wu Hung,
- 出版: Stanford, Calif. : Stanford University Press 1995.
- 稽核項: xviii, 376 p. :ill., maps ;25 x 27 cm.
- 標題: Art, Chinese , Art and state , Art, Chinese Three kingdoms-Sui dynasty, 220-618. , Art, Chinese To 221 B.C. , Public art , Public art China. , Symbolism in art China. , Art, Chinese Chin-Han dynasties, 221 B.C.-220 A.D. , Symbolism in art , Art and state China.
- ISBN: 0804726264 , 9780804726269
- 附註: Includes bibliographical references (p. 327-349) and index.
- 系統號: 005148818
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad artistic movement and contextualized as part of a well-defined cultural and political tradition. The book begins with the first comprehensive explanation of "ritual art". This native genre encompasses ceremonial pottery, jades, and bronzes, which, though often small and hidden, manifest a unique sense of the monumental. The author traces the decline of this archaic tradition and the corresponding rise of palatial and funerary monuments against the background of China's transition from a network of principalities to a unified political state. He portrays the continual reinvention of the city in China as he analyzes the history of the Western Han capital, Chang'an, and brings to life the individual motives of builder, mourner, and deceased in discussing the unprecedented construction and decoration of mortuary monuments during the Eastern Han. The book concludes by reexamining what is arguably the most important event in Chinese art history: the appearance of individual artists during the post-Han period and their transformation of public monumental art into a private idiom.
來源: Google Book
來源: Google Book
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