Music theory in the age of Romanticism
- 其他作者: Bent, Ian.
- 出版: Cambridge ;New York : Cambridge University Press 1996.
- 稽核項: xvi, 239 p. :ill., music ;26 cm.
- 標題: Theory , Musical criticism 19th century. , Romanticism in music. , Musical criticism , Music Theory -- 19th century. , Music
- ISBN: 0521551021 , 9780521551021
- 附註: Includes bibliographical references and index. The mechanics of sensation and the construction of the romantic musical experience / Leslie David Blasius -- F.W.J. Schelling's Philosophie der Kunst : an emergent semiology of music / Ian Biddle -- Fetis and emerging tonal consciousness / Thomas Christensen -- Romantic music under siege in 1848 / Sanna Pederson -- Second immediacies in the Eroica / Brian Hyer -- Plato-Beethoven : a hermeneutics for nineteenth-century music? / Ian Bent -- Intersubjectivity and analysis : Schumann's essay on the Fantastic symphony / Fred Everett Maus -- The concept of developpement in the early nineteenth century / Peter A. Hoyt -- A.B. Marx and the gendering of sonata form / Scott Burnham -- --wie ein rother Faden : on the origins of Leitmotif as critical construct and musical practice / Thomas Grey -- Musical invariance as a cognitive structure : "multiple meaning" in the early nineteenth century / Janna K. Saslaw and James P. Walsh.
- 系統號: 005165065
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
How did the Romantic era hear the music of Mozart, Beethoven, Schubert, or Berlioz? What did it make of the Eroica, the Fantastic Symphony, or the eerie song Der Doppelgänger? From many different vantage points this volume addresses this fascinating question. A group of writers, all historians of music theory, conducts a dazzling exploration of the way in which the Romantic era thought about music. They bring to bear on their topic issues from politics, gender, metaphor, intersubjectivity, cognition, and many other realms.
來源: Google Book
來源: Google Book
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